Faculty Profiles

Chen, A. H. (2026). Prisoners, Servants, and the Enslaved in Vasari. Art History, 49(3), 570–595. Retrieved from https://doi.org/10.1093/arthis/ulag013

Chen, A. H. (2025). Brother Gregorio Belo of Vicenza by Lorenzo Lotto. Metropolitan Museum Journal, 60, 113–123. Retrieved from https://www.journals.uchicago.edu/doi/abs/10.1086/739638

Chen, A. H. (2025). The Persian Source of Plate Thirty-Six of Johannes Stradanus’s Venationes. Journal of the Warburg and Courtauld Institutes, 88, 263–271. Retrieved from https://www.journals.uchicago.edu/doi/abs/10.1086/738373

Chen, A. H. (2025). Optics, Heart Metaphors, and Print in the Age of Jesuit Science: Athanasius Kircher’s Ars magna lucis et umbrae (1646). Nuncius, 40(3), 707–729. Retrieved from https://brill.com/view/journals/nun/40/3/article-p707_7.xml

Chen, A. H. (2024). The Allegorical from the Literal: An Underappreciated Sixteenth-Century Comment on Michelangelo’s Last Judgment. Source: Notes in the History of Art, 43(3), 183–192. Retrieved from https://www.journals.uchicago.edu/doi/abs/10.1086/731268

Chen, A. (2023). Hosting the Ship of Salvation in India and East Asia, ca. 1600 (pp. 1575–1591). São Paulo: Vasto Edições. Retrieved from https://www.ciha.org/content/motion-migrations-proceedings-35th-world-congress-art-history

Chen, A. H. (2022). Allegory, Tragedy, and the Ambivalence of Stradanus’s Vespucci. Viator: Medieval and Renaissance Studies, 53(2), 93–116. Retrieved from https://www.brepolsonline.net/content/journals/10.1484/J.VIATOR.5.135764

Chen, A. H. (2022). Five Invisible Lines, Before and After the Reformation. Res: Anthropology and Aesthetics, 77/78, 214–232. Retrieved from https://www.journals.uchicago.edu/doi/abs/10.1086/720844

Chen, A. H. (2022, April 1). Review of Sandra Hindman and Federica Toniolo, eds. The Burke Collection of Italian Manuscript Paintings. London: Ad Ilissum, 2021. Manuscript Studies. Retrieved from https://muse.jhu.edu/article/856958

Bolland, C., & Chen, A. H. (2019). Meynnart Wewyck and the Portrait of Lady Margaret Beaufort in the Master’s Lodge at St John’s College, Cambridge. The Burlington Magazine, 161, 314–319.

Chen, A. H. (2018). Flagellant Confraternities and Italian Art, 1260–1610: Ritual and Experience. Amsterdam: Amsterdam University Press.

Chen, A. H. (2017). Giustino di Gherardino da Forlì and the Antiphoners of Pavia Cathedral. Mitteilungen Des Kunsthistorischen Institutes in Florenz, 59, 409–419.

Chen, A. H. (2017). The Provenance and Function of a Tabernacle by Paolo Schiavo in the Fitzwilliam Museum, Cambridge. The Burlington Magazine, 159, 693–696.

Chen, A. H. (2017). Vividness, Voice, and the Imagination According to Petrarch. Word & Image, 33(2), 127–137.

Chen, A. H. (2017). Discipline Transformed: The Processions of a Pavian Flagellant Confraternity, 1330–1460. In Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City (pp. 155–177). Leiden: Brill.

Chen, A. H. (2014). The Decoration of a Statute Book for a Pavian Flagellant Confraternity. Rivista Di Storia Della Miniatura, 18, 64–73.

Chen, A. H. (2013). Abigail and David: The Iconography of a Romanesque Capital from Notre-Dame-des-Doms, Avignon. Journal of the Warburg and Courtauld Institutes, 76, 131–136.