Scholarly/Creative Works

• Weng, J. M. (n.d.). “W. B. Yeats’s Scientific Materialism and Modernity". In G. Castle (Ed.), The New Yeats Studies. Cambridge University Press.
• Weng, J. M. (2025). “An Irish Modernist Dialectic of Enlightenment: Singing the Artist Electric". Modernism/Modernity, 31(3), 513–538.

• Weng, J. M., & Sen, M. (Eds.). (2024). Race in Irish Literature and Culture. Cambridge University Press.
• Weng, J. M. (2024). “W. B. Yeats, the Irish Free State, and the Rhetoric of Race Suicide.” In M. Sen & J. M. Weng (Eds.), Race in Irish Literature and Culture (pp. 143–171). Cambridge University Press.
• Weng, J. M., & Sen, M. (2024). “The Racial Imaginaries of Irish Literature and Culture.” In Race in Irish Literature and Culture (pp. 1–24). Cambridge University Press.

• Weng, J. M. (2023). “Reading James Joyce in the Wake of the #MeToo Movement.” In K. Ebury, M. Fogarty, & B. English (Eds.), Ethical Crossroads in Literary Modernism (pp. 235–251). Clemson University Press.

• Weng, J. M., Conrad, K., & Parsons, C. (2020, June 1). “Science and the Humanities in the Time of Pandemic: Better Together.” The Irish Times. Retrieved from https://www.irishtimes.com/culture/books/science-and-the-humanities-in-the-time-of-pandemic-better-together-1.4261769

• Weng, J. M., Conrad, K., & Parsons, C. (Eds.). (2019). Science, Technology, and Irish Modernism. Syracuse: Syracuse University Press.
• Weng, J. M. (2019). “John Eglinton: An Irish Futurist.” In K. Conrad, C. Parsons, & J. M. Weng (Eds.), Science, Technology, and Irish Modernism (pp. 34–52). Syracuse: Syracuse University Press.
• Weng, J. M., Conrad, K., & Parsons, C. (2019). “Introduction.” In Science, Technology, and Irish Modernism (pp. 1–16). Syracuse: Syracuse University Press.
• Weng, J. M. (2019, May 1). “A Reconsideration of Joyce’s Non-Fiction.” Rev. of Joyce’s Non-Fiction Writings: “Outside his Jurisfiction.” Katherine Ebury and James Alexander Fraser. James Joyce Literary Supplement.

• Weng, J. M. (2017, March 14). “The Censorship Files: Using Digital Media to Teach Censored Media.” TECHStyle.

• Weng, J. M. (2016). “‘Decorticated’ Brains and ‘Steriliz[ed]’ Minds: Samuel Beckett and Irish Censorship.” Éire-Ireland, 51:(3–4), 188–215.
• Weng, J. M. (2016). “Her ‘Bisexycle,’ Her Body, and Her Self-Propulsion in Finnegans Wake.” Journal of Modern Literature, 39:(4), 49–66.
• Weng, J. M. (2016, October 5). “That New Free Woman with Novel Inside.” Indiana University Press Blog.
• Weng, J. M. (2016, September 14). “The Donnybrook Tram(line) in ‘Two Gallants.’” The Mapping Dubliners Project. Retrieved from http://mappingdubliners.org/donnybrook-tramline/

• Weng, J. M. (2015). “From ‘Dear Dirty Dublin’ to ‘Hibernian Metropolis’: A Vision of the City through the Tramways of Ulysses.” Joyce Studies Annual, 28–54.
• Weng, J. M. (2015, July 31). “A Portrait of the Artist as a Young Man and Music.” Studies in the Novel, Teaching Tools: 20th- & 21st-Century Novels & Interdisciplinary Approaches.

• Weng, J. M. (2014). Rev. of Dotter of Her Father’s Eyes. Mary M. Talbot and Bryan Talbot. Feminist Formations.
• Weng, J. M. (2014, October 30). "Resurrecting “Echo’s Bones””. Breac: A Digital Journal of Irish Studies.

• Weng, J. M. (2013). “Reflections on SCT 2013.” In Theory. The Newsletter for the School of Criticism and Theory.
• Weng, J. M. (2013, March 13). “Alfred Hitchcock’s ‘piece of cake’: Cinema, the Culinary Arts, and the Macabre.” Kritik. Unit for Criticism and Interpretive Theory.

• Weng, J. M. (2012, April 12). “On ‘Hybrid Irelands: At Culture’s Edge’—A Critique of Hybridity". Kritik. Unit for Criticism and Interpretive Theory.

• Weng, J. M. (2011). “Lots of Fun at the Second UCD ‘Wake-End’: Saturday, 13 November 2010.” Dublin James Joyce Journal.