Faculty Profiles

Forrest, J. (2021). Cinematic Time Keeper: Bertrand Tavernier and L’Horloger de Saint-Paul. French Forum, 46(1), 103–116.

Forrest, J. (2021). Re-forming La Maternelle: Social-Cultural Continuity and the Remake. In European Film Remakes (pp. 89–101). Edinburgh, Scotland, United Kingdom: Edinburgh University Press.

Forrest, J. (2020). Hildegarde Withers Enters the Men’s Room: Getting Things Done Like a Woman in the Depression-Era Detective Film Series. Screen, 61(3), 441–449. https://doi.org/doi:10.1093/screen/hjaa044

Forrest, J. (2020). From Ocean’s 11/Eleven to Ocean’s 8/Eight: Gender, Genre and the Reboot. In Film Reboots (pp. 81–95). Edinburgh, Scotland, United Kingdom: Edinburgh University Press.

Forrest, J. (2020, April). Nineteenth-Century French Studies. Retrieved from ncfs-journal.org/?q=node/1691

Forrest, J. (2019). Decadent Aesthetics and the Acrobat in Fin-de-Siècle France. London and New York, United Kingdom and United States: Routledge. Retrieved from https://www.routledge.com/Decadent-Aesthetics-and-the-Acrobat-in-French-Fin-de-siecle-1st-Edition/Forrest/p/book/9780367358143

Forrest, J. (2018, October). Nebraska, United States: Nineteenth-Century French Studies. https://doi.org/http://www.ncfs-journal.org/?q=node/1516

Forrest, J., & Emery, E. N. (Eds.). (2017). Matter Pools: Fluidity and Containment in French Decadent Literature: Essays in Honour of Robert Ziegler. Dix-Neuf (2nd–3rd ed., Vol. 21). United Kingdom: Taylor and Francis. https://doi.org/https://doi.org/10.1080/14787318.2017.1386881

Forrest, J., & Emery, E. N. (2017). Matter Pools: Fluidity and Containment in French Decadent Literature: Essays in Honour of Robert Ziegler. Dix-Neuf. Journal of the Society of Dix-Neuvièmistes, 21(2–3), 93–103. https://doi.org/https://doi.org/10.1080/14787318.2017.1386881

Forrest, J. (2017, August 11). [Review of Marcel Schwob, du journal au recueil, by C. de Guido]. Nebraska, USA: Nineteenth-Century French Studies. Retrieved from http://www.ncfs-journal.org/?q=current-toc#REVIEWS

Forrest, J. (2016). [Review of Octave Mirbeau Mirbeau’s Fictions of the Transcendental. Cahiers Octave Mirbeau, by R. Ziegler]. Cahiers Octave Mirbeau. Angers, France.

Forrest, J. (2016). [Review of Corps obscènes. Pantomime, tableau vivant et autres images pas sages. Suivi de Note sur le dispositif, by A. Rykner]. Nineteenth-Century French Studies. Retrieved from http://www.ncfs-journal.org/?q=node/1349

Forrest, J. (2016). [Review of (Bé)vues du futur: les imaginaires visuels de la dystopie (1840-1940), by C. Dessy & V. Stiénon]. Nineteenth-Century French Studies. University of Nebraska Press. Retrieved from http://www.ncfs-journal.org/?q=node/1389

Forrest, J. (2016). Clownesque Poetics in Jules Laforgue’s Moralités légendaires. Dix-Neuf, 20.1, 81–96. https://doi.org/10.1080/14787318.2016.1141851

Forrest, J. (2015). Remapping Socio-Cultural Specificity in the American Remake of The Bridge. Continuum: Journal of Media and Cultural Studies, 29(5), 13-Jan. Retrieved from http://dx.doi.org/10.1080/10304312.2015.1068725

Forrest, J. (2015). [Review of La Pantomime noire (1836-1896), by G. Bonnet]. H-France Review. Retrieved from http://www.h-france.net/vol15reviews/vol15no113forrest.pdf

Forrest, J. (2015). [Review of Alfred Jarry: L’Expérimentation du singulier, by K. Pollin]. Nineteenth-Century French Studies. Retrieved from http://www.ncfs-journal.org/?q=printpdf/1283

Forrest, J. (2014). [Review of The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley, by M. Potolsky]. H-France Review. Retrieved from http://www.h-france.net/vol14reviews/vol14no39forrest.pdf.

Forrest, J. (2013). Artists Unknown: The Poetics of Anonymity in Jean Richepin’s Braves gens. Romance Studies, 31.2, 101–112.

Forrest, J. (2013). [Review of Satanism, Magic and Mysticism in Fin-de-siècle France, by R. Ziegler]. Cahiers Octave Mirbeau.

Forrest, J. (2011). Cirque. In Y. Lemarié & P. Michel (Eds.), Dictionnaire Octave Mirbeau (pp. 696–697). Paris: L’Age d’homme.

Forrest, J. (2011). Portrait of the Opportunist as Circus Acrobat: Félicien Champsaur’s Entrée de clowns. Image [&] Narrative, 12.4, 78–114. Retrieved from http://www.imageandnarrative.be/index.php/imagenarrative/article/view/201.

Forrest, J. (2011, April). [Review of Asymptote: An Approach to Decadent Fiction, by R. Ziegler]. The French Review.

Forrest, J. (2010). Of True Sequels: the Four Daughters Movies, or the Series that Wasn’t. In C. Verevis & C. Jess-Cooke (Eds.), Take 2 (pp. 31–44). Albany, New York: SUNY Press.

Forrest, J. (2009). [Review of Playing at Monarchy: Sport as Metaphor in Nineteenth-Century France, by C. Cropper]. Nineteenth-Century French Studies.

Forrest, J. (2009, March). [Review of The Nothing Machine: The Fiction of Octave Mirbeau, by R. Ziegler]. The French Review.

Forrest, J. (Ed.). (2008). The Legend Returns and Dies Harder Another Day: Essays on Film Series. Jefferson, North Carolina: McFarland & Company.

Forrest, J. (2008). Introduction. In The Legend Returns and Dies Harder Another Day: Essays on Film Series (pp. 1–19). Jefferson, North Carolina: McFarland & Company.

Forrest, J. (2008). The Poetics of Film Series. In J. Forrest (Ed.), The Legend Returns and Dies Harder Another Day: Essays on Film Series (pp. 21–38). Jefferson, North Carolina: McFarland & Company.

Forrest, J. (2008). The Trouble With Maisie: Insubordination and the Empowered Woman Series. In J. Forrest (Ed.), The Legend Returns and Dies Harder Another Day: Essays on Film Series (pp. 105–129). Jefferson, North Carolina: McFarland & Company.

Sivan, P. (2008). Caroline and Angélique: Seductresses of the French Screen. In J. Forrest (Trans.), The Legend Returns and Dies Harder Another Day: Essays on Film Series. Jefferson, NC: McFarland & Company.

Forrest, J. (2007). La Mort plutôt que le déshonneur’ dans L’Ecuyère d’Octave Mirbeau. Cahiers Octave Mirbeau, 14, 3–20.

Forrest, J. (2006). “Nineteenth-Century Nostalgia for Eighteenth-Century Wit, Style, and Aesthetic Disengagement: The Goncourt Brothers’ Histories of Eighteenth-Century Art and Women. Nineteenth-Century French Studies, 34(1–2), 44–62.

Forrest, J. (2005). Pierrette, assassine assassinée: The Portrait of Lulu in Two Tableaux. In P. Schulman & A. Brueggemann (Eds.), Rhine Crossings: France and Germany in Love And War (pp. 143–163). Albany, New York: SUNY Press.

Forrest, J. (2005). Théodore de Banville and Funambulesque Aesthetics. Dalhousie French Studies, 72, 31–44.

Forrest, J. (2005). [Review of Between Shanghai and Hong Kong: The Politics of Chinese Cinemas, by P. Fu]. Post-Script.

Forrest, J. (2003). The Banquet impérial: History in Wax in the Second Empire. Dalhousie French Studies, 63, 31–44.

Forrest, J. (2003). Cocteau au cirque: The Poetics of Parade and ‘Le Numéro Barbette. Studies in Twentieth-Century Literature, 27(1), 9–47.

Forrest, J. (2003). [Review of Paris Dances: Textual Choreographies in the Nineteenth-Century French Novel, by S. D. Cordova]. South Central Review.

[Review of Beauty Raises the Dead: Literature and Loss in the Fin de Siècle, by J. Forrest]. (2003). Nineteenth Century French Studies.

Forrest, J., & Koos, L. R. (Eds.). (2002). Dead Ringers: The Remake in Theory and Practice. Albany, New York, United States: SUNY Press.

Forrest, J. (2002). Aerial Misses and Spectating Messieurs: The Paradox of the Lady Acrobat in the French fin de siècle. In T. Raser (Ed.), Peripheries of Nineteenth-Century French Studies (pp. 133–155). Newark: University of Delaware Press.

Forrest, J., & Koos, L. (2002). Reviewing Remakes: An Introduction. In J. Forrest & L. Koos (Eds.), Dead Ringers: The Remake in Theory and Practice (pp. 1–36). Albany, New York: State University at New York Press.

Forrest, J. (2002). Remaking The Blue Veil: An Interview With Norman Corwin. In J. Forrest & L. Koos (Eds.), Dead Ringers: The Remake in Theory and Practice (pp. 309–336). Albany, New York: State University at New York Press.

Forrest, J. (2002). The ‘Personal’ Touch: The Original , the Remake, and the Dupe in Early Cinema. In J. Forrest & L. Koos (Eds.), Dead Ringers: The Remake in Theory and Practice (pp. 89–126). Albany, New York: State University at New York Press.

Forrest, J. (2002). Sadie Thompson Redux: Postwar Reintegration of the Wartime Wayward Woman. In J. Forrest & L. Koos (Eds.), Dead Ringers: The Remake in Theory and Practice (pp. 169–202). Albany, New York: State University at New York Press.

Liu, C. (2002). [Review of Taking Notes for the Automaton, by J. Forrest]. South Central Review.

Forrest, J. (2001). The Moral Legacy of Les Mille et une nuits: Where the Postcolonial East Opens its Portals onto the West. Nottingham French Studies, 40.2, 69–83.

Forrest, J. (1999). Scripting the Female Voice: The Phonograph, the Cinematograph, and the Ideal Woman. Nineteenth-Century French Studies, 27.1-2, 71–95.

Forrest, J. (1997). Paris à Rebours: How Huysmans Put the Faux in Faubourg. The South Atlantic Review, 62.2, 10–28.

Forrest, J. (1997). [Review of Acts of Fiction: Resistance and Resolution from Sade to Baudelaire, by S. Carpenter]. Romance Quarterly.

Forrest, J. (1996). The Lord of Hadaly’s Rings: Regulating the Female Body in Villiers de l’Isle-Adam’s L’Eve future. South Central Review, 13.4, 33–52.

Forrest, J., & Jaffe, C. (1996). Figuring Modernity: Juan Ramón Jiménez and the Baudelairian Tradition of the Prose Poem. Comparative Literature, 48.3, 265–293.

Forrest, J. (1996). [Review of Science Fiction Before 1900: Imagination Discovers Technology, by P. K. Alkon]. South Central Review.

Mosley, P., & Forrest, J. (1996). Nineteenth Century French Studies.

Forrest, J. (1995). The (Con)Quest of the Other in Voyage au bout de la nuit. In R. Scullion, P. H. Solomon, & T. Spear (Eds.), Céline and the Politics of Difference (pp. 120–139). Hanover and London: University Press of New England.