Faculty Profiles

McClancy, K. R. (2026). “A Chain Reaction That Would Destroy the Entire World”: Blowing Up Patriarchal Capitalism in Barbie and Oppenheimer. In C. Jacobs, A. Young, & K. A. Ritzenhoff (Eds.), Barbenheimer Syndrome: The Creation of Cultural Spectacle at the Box Office (pp. 35–47). New York: Bloomsbury Academic.

McClancy, K. (2021). Fighting a Lonely War: Frank Castle and the Domestication of Vietnam. In M. McEinry, Alicia Goodman, Ryan Cassidy, & R. G. Weiner (Eds.), The Punisher: Judge, Jury, and Executioner (pp. 125–135). New York, NY: McFarland.

McClancy, K. (2019). Black Skin, White Faces: Dead Presidents and the African-American Vietnam Veteran. In C. Tholas, K. Ritzenhoff, & J. Goldie (Eds.), New Perspectives on the War Film (pp. 131–158). New York, NY: Palgrave Macmillan.

McClancy, K. (2018). The Wasteland of the Real: Nostalgia and Simulacra in Fallout. Game Studies, 18(2). Retrieved from http://gamestudies.org/1802/articles/mcclancy

McClancy, K. (2018). Desperate Housewives: Murdering Gendered Nostalgia in Lady Killer. Feminist Media Histories, 4(3), 179–204. Retrieved from http://fmh.ucpress.edu/content/4/3/179

McClancy, K. (2018). Winter Soldiers and Sunshine Patriots: World War II and the Cold War in Captain America. ImageTexT, 9(3). Retrieved from http://www.english.ufl.edu/imagetext/archives/v9_3/mcclancy/

McClancy, K. (2015). Iron Curtain Man versus Captain American Exceptionalism: World War II and Cold War Nostalgia in Marvel’s War on Super-Terror. In K. M. Scott (Ed.), Marvel Comics’ Civil War and the Age of Terror: Critical Essays on the Comic Saga. Jefferson, NC: McFarland.

McClancy, K. (2015). Atomic Housewives: Shutter Island and the Domestication of Nuclear Holocaust. Journal of Popular Film and Television, 43(2), 70–82.

McClancy, K. (2014). The Rehabilitation of Rambo: Trauma, Victimization, and the Vietnam Veteran. The Journal of Popular Culture, 47(3), 503–519.

McClancy, K. (2013). Watchmen. In R. Duncan & M. J. Smith (Eds.), Icons of the American Comic Book. Santa Barbara, CA: ABC-CLIO.

McClancy, K. (2013). The Iconography of Violence: Television, Vietnam, and the Soldier Hero. Film & History, 43(2), 50–66.

McClancy, K. (2013, March). Review: The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era and Welcome to the Suck: Narrating the American Soldier’s Experience in Iraq [Review of The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era and Welcome to the Suck: Narrating the American Soldier’s Experience in Iraq, by S. Chong & S. Peebles]. American Literature. American Literature.

McClancy, K. (2011, December). Review: Masculinity in Vietnam War Narratives: A Critical Study of Fiction, Films, and Nonfiction Writings and Embattled Home Fronts: Domestic Politics and the American Novel of World War I [Review of Masculinity in Vietnam War Narratives: A Critical Study of Fiction, Films and Nonfiction Writings and Embattled Home Fronts: Domestic Politics and the American Novel of World War I, by B. Boyle & K. Piep]. American Literature. American Literature.

McClancy, K. (2006). Reclaiming the Subversive: Victorian Morality in Neal Stephenson’s The Diamond Age. In J. P. Lewis (Ed.), Tomorrow Through the Past: Neal Stephenson and the Project of Global Modernization. Newcastle: Cambridge Scholars Press.