Faculty Profiles

Colleges and Departments
Portrait of Dr. Nico Schuler

Dr. Nico Schuler

  • University Distinguished Professor at School of Music, College of Fine Arts & Communication

Scholarly and Creative Works

2024

  • Schuler, N., & Paireepinart, L. (2024). Music Analysis: Web-Based Analytical Tools. http://www.musicanalysis.org. Retrieved from http://www.musicanalysis.org
  • Schuler, N., Seibel, A., & Adele Jakumeit. (2024). Kollaboration ohne Konkurrenz? Wie intergenerationelle Zusammenarbeit gelingen kann: Ein transatlantisches Fallbeispiel aus der digitalen Aufführungsanalyse. Die Musikforschung, 77(4), 377–384. https://doi.org/https://doi.org/10.52412/mf.2024.H4.3570

2023

  • Schuler, N. (2023, September). Digital Humanities [Digital Music Research]. In MGG Online. New York, NY: Bärenreiter. Retrieved from https://www.mgg-online.com/mgg/stable/499900
  • Schuler, N., & Paireepinart, L. (2023). Music Analysis: Web-Based Analytical Tools. http://www.musicanalysis.org. Retrieved from http://www.musicanalysis.org

2022

  • Schuler, N. (2022). Toward a Higher Accuracy of Note Onset Detection. In Softwaregestützte Interpretationsforschung: Grundsätze, Desiderate und Grenzen (pp. 5–10). Würzburg, Germany: Königshausen u. Neumann. Retrieved from https://verlag.koenigshausen-neumann.de/product/9783826074332-softwaregestuetzte-interpretationsforschung/
  • Schuler, N. (2022). The Degree of Rubato in Performances of Bach’s Invention No. 9: Two Case Studies. In Softwaregestützte Interpretationsforschung: Grundsätze, Desiderate und Grenzen (pp. 31–44). Würzburg, Germany: Königshausen u. Neumann. Retrieved from https://verlag.koenigshausen-neumann.de/product/9783826074332-softwaregestuetzte-interpretationsforschung/
  • Schuler, N. (2022). Online Research Methods for Rediscovering Forgotten Composers: Using Online Databases and Archives. In Music in the Disruptive Era (pp. 97–112). Turnhout, Belgium: Brepols. Retrieved from https://www.brepols.net/products/IS-9782503600796-1
  • Schuler, N. (2022). Orientation Processes and Perspectivism in Music Analysis. Principles of Music Composing, XX, 161–168. Retrieved from http://xn--urnalai-cxb.lmta.lt/en/journal/principles-of-music-composing/
  • Schuler, N., & Paireepinart, L. (2022). Music Analysis: Web-Based Analytical Tools. http://www.musicanalysis.org. Retrieved from http://www.musicanalysis.org

2021

  • Schuler, N. (2021). Orientation Processes and Perspectivism in the Spatiality of Music-Theoretical Research: Reflections on the Plurality of Modern Methods and Methodology of Music Analysis. In Music and Spatiality, ed. by Miloš Zatkalik, et al. (pp. 38–58). Belgrade, Serbia: University of Arts.
  • Schuler, N. (2021). Otto Laske and the Visualization of Electro‐Acoustic Music: Laske’s Visual Music Animations. Emille, the Journal of the Korean Electro-Acoustic Music Society, 18, 61–67. Retrieved from http://keams.org/emille/
  • Schuler, N. (2021). Microtonal Music in Central and Eastern Europe. New Sound, 57/I, 123–126. Retrieved from https://www.newsound.org.rs
  • Schuler, N., & Paireepinart, L. (2021). Music Analysis: Web-Based Analytical Tools. USA: http://www.musicanalysis.org. Retrieved from http://www.musicanalysis.org

2020

  • Schuler, N. (2020). Expressive Timing at the Beginning of Beethoven’s Piano Sonata op. 2 no. 1. In Musica Movet: Affectus, Ludus, Corpus, ed. by Milena Medić. (pp. 177–186). Belgrade, Serbia: University of Arts.
  • Schuler, N. (2020). Contextuality and Interdisciplinarity in Digital Music Research: History, Current Projects,  and A Case Study. In Contextuality of Musicology – What, How, Why and Because, ed. By Tijana Popović Mladjenović, Ana Stefanović, Radoš Mitrović, and Vesna Mikić. (pp. 86–96). Belgrade, Serbia: Faculty of Music.
  • Schuler, N. (2020). Otto Laske and the Visualization of Electro-Acoustic Music: Laske’s Visual Music Animations. In Korean Electro-Acoustic Music Society’s 2020 Annual Conference, ed. by Donoung Lee (pp. 53–58). Seoul, South Korea: KEAMS.
  • Schuler, N. (2020). The Development of Computing Technology and Its Influence on Music-Analytical Methods and Encoding: 1940s through 1980s. In Music Encoding Conference Proceedings 2015, 2016, 2017, ed. by G. Di Bacco, J. Kepper, and P. Roland (pp. 131–133). MEI. https://doi.org/https://doi.org/10.15463/music-1
  • Schuler, N. (2020). Modern Approaches to Teaching Sight Singing and Ear Training. Facta Universitatis – Visual Arts and Music, 6(2), 83–92. https://doi.org/https://doi.org/10.22190/FUVAM2002083S

2019

  • Schuler, N. (2019). Burkhard Meier. In H.-W. Heister & W.-W. Sparrer (Eds.), Komponisten der Gegenwart (p. 2). Munich, Germany: edition text+kritik, 64. Nachlieferung.
  • Schuler, N. (2019). New Discoveries on African-American Composer Jacob J. Sawyer (1856-1885). South Central Music Bulletin, XVII, 23–36. Retrieved from http://www.scmb.us

2018

  • Schuler, N. (2018). Reflections on Hugo Riemann’s Musik-Lexikon and His Music Historiography. In A. Baldassarre & T. Marković (Eds.), Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Blažeković (pp. 127–137). Vienna, Austria: Hollitzer Wissenschaftsverlag. Retrieved from http://www.hollitzer.at/wissenschaft/programm/produktdetail/produkt/literatur-und-musik-1/backPID/uebersicht-2.html
  • Schuler, N. (2018). The Musical Language of Black Minstrel Music by Jacob J. Sawyer (1856-1885). In American Musicological Society Southwest Chapter Conference  Proceedings (1st ed., Vol. VII).
  • Schuler, N. (2018). Music Analysis: Web-Based Analytical Tools. USA: http://www.musicanalysis.org. Retrieved from http://www.musicanalysis.org
  • Sound Engineer for commercial recording (CD), Zvonimir Nagy: Kaleidoscope II for two pianos. 2018.
  • Music Analysis: Web-Based Analytical Tools. 2018.
  • Schuler, N. (2018). Current Research Methodologies For Rediscovering Forgotten Composers: Using Commercial Genealogy And Newspaper Databases And Other Online Archives. Music in Society, 2018, 369–386.
  • Schuler, N. (2018). Contemporary Approaches of Computer-Assisted Music Analysis & Research. In S. Marinkovic (Ed.), Challenges in Contemporary Musicology: Essays in Honor of Prof. Dr. Mirjana Veselinovic-Hofman (pp. 60–71). Belgrade, Serbia: Faculty of Music. Retrieved from http://books.google.com/books/about/Challenges_in_Contemporary_Musicology.html
  • Schuler, N. (2018). Analytical Observations of Duality in Time by James (Jim) C. Scully. New Sound: International Journal of Music, 50, 189–196.
  • Schuler, N., Walton, C., & Cobussen, M. (2018). Virtual Panel Discussion. New Sound: International Journal of Music, 50, 17–23.

2017

  • Schuler, N. (2017). Computer-Assisted Music Analysis. Historical Reflections, Recent Approaches, and Common Methods. Musiktheorie, 2017(4), 317–329. Retrieved from http://www.laaber-verlag.wslv.de/index.php?m=0&n=5&ID_Liste=94
  • Schuler, N., & Stefanija, L. (2017). Music Theory Concepts / Computer-Assisted Music Theory Learning. Ljubljana, Slovenia: Univerza v Ljubljani, Filozofska fakulteta, Oddelek za muzikologijo. Retrieved from http://muzikologija.ff.uni-lj.si/ptg/index_eng.html
  • Schuler, N. (2017). The Vocal Music of Jacob J. Sawyer (1856-1885): A Content Analysis of the Lyrics. In American Musicological Society Southwest Chapter Conference  Proceedings (1st ed., Vol. 6).
  • Schuler, N. (2017). Microtiming at the Beginning of Beethoven’s Piano Sonata op. 2 no. 1, I. In American Musicological Society Southwest Chapter Conference  Proceedings (2nd ed., Vol. 6).

2016

  • Schuler, N. (2016). Dietrich Erdmann. In L. Lütteken (Ed.), Musik in Geschichte und Gegenwart Online. Kassel, Stuttgart, New York, Germany & USA: MGG / RILM. Retrieved from https://mgg-online.com
  • Schuler, N. (2016). Otto E. Laske. In L. Lütteken (Ed.), Musik in Geschichte und Gegenwart Online. Kassel, Stuttgart, New York, Germany & USA: MGG / RILM. Retrieved from https://mgg-online.com
  • Schuler, N. (2016). Hanning Schröder. In L. Lütteken (Ed.), Musik in Geschichte und Gegenwart Online. Kassel, Stuttgart, New York, Germany & USA: MGG / RILM. Retrieved from https://mgg-online.com
  • Schuler, N. (2016). Wordless Functional Analysis Revisited. In American Musicological Society Southwest Chapter Conference  Proceedings (1st ed., Vol. 5).
  • Schuler, N. (2016). The Music of Jacob J. Sawyer (1856-1885) and Sawyer’s Collaborations with the Hyers Sisters, the Haverly’s Colored Minstrels, the Slayton Ideal Company as well as Sam Lucas. In American Musicological Society Southwest Chapter Conference  Proceedings (2nd ed., Vol. 5).
  • Schuler, N. (2016). Music Analysis: Web-Based Analytical Tools. USA: http://www.musicanalysis.org. Retrieved from http://www.musicanalysis.org
  • Schuler, N. (2016). The Myth of Edmond Dédé’s Lost Violin. South Central Music Bulletin, XIV(1–2), 32–35. Retrieved from http://www.scmb.us

2015

  • Schuler, N. (2015). Rediscovering Forgotten Composers with the Help of Online Genealogy and Music Score Databases: A Case Study on African-American Composer Jacob J. Sawyer (1856-1885). Musicological Annual, 51(2), 85–97.
  • Schuler, N. (2015). Rediscovering the Minstrel Music of African-American Composer Jacob J. Sawyer (1856- 1885). American Musicological Society Southwest Chapter Conference Proceedings, IV(2).
  • Schuler, N. (2015). Cantometrics Revisited. In American Musicological Society Southwest Chapter Conference Proceedings (1st ed., Vol. IV).
  • Music Analysis: Web-Based Analytical Tools. 2010 - 2015.
  • Music Theory Concepts / Computer-Assisted Music Theory Learning. 2008 - 2015.

2014

  • Schuler, N. (2014). Computer-Assisted Music Analysis (1950s-1970s): Essays and Bibliographies. Frankfurt / New York: Peter Lang Publishing, Inc. Retrieved from https://www.peterlang.com/abstract/product/40363?rskey=mVlbpi&result=1
  • Schuler, N. (2014). African-American Composer Jacob J. Sawyer: Research Methodology, Biography, and Analytical Approach. American Musicological Society Southwest Chapter Conference Proceedings, III(1).

2013

  • Schuler, N. (2013). Course Pack: Music Theory I-IV.
  • Schuler, N. (2013). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2013). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2013). Grenzüberschreitungen im künstlerischen und wissenschaftlichen Schaffen von Otto Laske. In O. Krämer & M. Schröder (Eds.), Hebt man den Blick, so sieht man keine Grenzen«: Grenzüberschreitungen als Paradigma in Kunst und Wissenschaft (pp. 235–246). Essen [Germany]: Die Blaue Eule.
  • Schuler, N., Kucinskas, D., & Davismoon, S. (2013). Technology as a Tool to Enhance Sight Singing Education. In Music and Technologies (pp. 73–81). Newcastle upon Tyne, UK: Camrbidge Scholars.
  • Schuler, N. (2013). Computerunterstützte Mozartanalyse: Geschichte, Methoden, Kritik und Ausblick. In G. Gruber (Ed.), Mozartanalyse heute (pp. 69–100). Laaber: Laaber Verlag.
  • Schuler, N. (2013). Sawyer, Jacob J. In C. H. Garrett (Ed.), The Grove Dictionary of American Music (Vol. 7, p. 353). New York: Oxford University Press.
  • Schuler, N. (2013). Waring, Fred(erick Malcolm). In C. H. Garrett (Ed.), The Grove Dictionary of American Music (Vol. 8, p. 412). New York: Oxford University Press.
  • Schuler, N., & Garrett, C. H. (2013). New Jack Swing [Swingbeat]. In The Grove Dictionary of American Music (Vol. 6, pp. 77–78). New York: Oxford University Press.
  • Schuler, N. (2013). Tejano Music. In J. Edmondson (Ed.), Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture (Vol. 4, pp. 1141–1143).
  • Schuler, N. (2013). Ticheli, Frank. In J. Edmondson (Ed.), Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture (Vol. 4, p. 1160). Santa Barbara, CA: Greenwood.
  • Schuler, N. (2013). Hip-Hop Nation. In J. Edmondson (Ed.), Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture (Vol. 2, p. 557). Santa Barbara, CA: Greenwood.
  • Schuler, N. (2013). Mental Health & Illness and Its Relationship to Artistic Creativity. American Musicological Society Southwest Chapter Conference Proceedings, III.
  • Schuler, N. (2013). The Harlan Trio (1930-1933) and Its Contributions to the Foundation of Historical Performance Practice. American Musicological Society Southwest Chapter Conference Proceedings, II.
  • Schuler, N. (2013). New Sound.

2012

  • Schuler, N. (2012). Course Pack: Music Theory I-IV.
  • Schuler, N. (2012). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2012). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2012). Music of Hanning Schröder (1896–1987): Between Autonomy and Function and Between Twelve-Tone Technique and New Objectivity. In M. Barbo & T. Hochradner (Eds.), Music and Its Referential Systems (pp. 161–175). Vienna, Austria: Hollitzer.
  • Schuler, N. (2012). Computerunterstützte Mozartanalyse: Geschichte, Methoden, Kritik und Ausblick. In G. Gruber & S. Mauser (Eds.), Mozart neu Entdecken: Theoretische Interpretationen seines Werks (pp. 427–459). Laaber: Laaber Verlag.
  • Schuler, N. (2012). Multicultural Curriculum Transformation of ‘Music Theory Pedagogy.’ American Musicological Society Southwest Chapter Conference Proceedings, I.
  • Schuler, N., O’Hara, T., Lu, Y., & Tamir, D. E. (2012). Inferring Chord Sequence Meanings via Lyrics: Process and Evaluation. ISMIR Proceedings, 463–468.

2011

  • Schuler, N., & Stefanija, L. (Eds.). (2011). Approaches to Music Research: Between Practice and Epistemology. Frankfurt / New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2011). Course Pack: Music Theory I-IV.
  • Schuler, N. (2011). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2011). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2011). Der gebürtige Rostocker Komponist Hanning Schröder (1896-1987): Mit Neuer Sachlichkeit zur Zwölftontechnik. In H. Möller & M. Schröder (Eds.), Musik | Kultur | Wissenschaft (pp. 207–233). Essen [Germany]: Die Blaue Eule.
  • Schuler, N. (2011). From Interdisciplinarity to ‘Perspectivism’ in Music Research. In L. Stefanija & N. Schüler (Eds.), Approaches to Music Research: Between Practice and Epistemology (pp. 49–61). Frankfurt /New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2011). Schröder, Hanning [Hans]. In Oxford Music Online. Retrieved from http://www.oxfordmusiconline.com
  • Schuler, N. (2011). The Development of Computing Technology and Its Influence on the Development of Music-Analytical Methods. In M. Zatkalik (Ed.), Music Theory and Analysis 2010 (pp. 271–288). Beograd [Serbia]: IP “Signature.”
  • Study #1 for tape. 2011.
    Performances:
    • World premiere performance at the International Conference on the Sustainability of Modern Music. March 25, 2011 - March 26, 2011 Texas State University, San Marcos, Texas.

2010

  • Schuler, N., & Leon, S. (2010). Musical Listening Habits of College Students in Finland, Slovenia, South Africa, and Texas: Similarities and Differences. Frankfurt / New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2010). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2010). Selected Aspects of Musical Listening Habits of A College Population in Texas. In L. Stefanija, N. Schüler, T. Eerola, R. Graham, V. Nering, & M. Veselinovic-Hofman (Eds.), Musical Listening Habits of College Students in Finland, Slovenia, South Africa, and Texas: Similarities and Differences (pp. 73–95). Frankfurt / New York: Peter Lang Publishing, Inc.
  • Schuler, N., Graham, R., & Stefanija, L. (2010). Musical Listening Habits of College Students: A Foreword. In N. Schüler, T. Eerola, V. Nering, & M. Veselinovic-Hofman (Eds.), Musical Listening Habits of College Students in Finland, Slovenia, South Africa, and Texas: Similarities and Differences (pp. 7–16). Frankfurt / New York: Peter Lang Publishing, Inc.

2009

  • Schuler, N. (2009). Course Pack: Music Theory I-IV.
  • Schuler, N. (2009). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2009). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2009). Riemann’s Musiklexikon as a Mirror of German Music History. In Z. Blazekovic & B. D. Mackenzie (Eds.), Music’s Intellectual History (pp. 643–651). New York: Répertoire International de Litterature Musicale.
  • Schuler, N. (2009). US-Amerikanische Lehrbücher zu Theorien der Modernen Musik: Ein Beitrag zur Vermittlung moderner Musiktheorie. In A. Moths, M. Jans, J. MacKeown, & B. Trümpy (Eds.), Musiktheorie and ihren Grenzen: Neue und Alte Musik (pp. 85–97). Bern: Peter Lang Publishing, Inc.
  • Schuler, N. (2009). Dietrich Erdmann. In H. Hanns-Werner & S. Walter- Wolfgang (Eds.), Komponisten der Gegenwart (p. 2). Munich: edition text+kritik, 39. Nachlieferung.

2008

  • Schuler, N. (2008). Course Pack: Essential Musicianship.
  • Schuler, N. (2008). Course Pack: Music Theory I-IV.
  • Schuler, N. (2008). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2008). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N., Zivkovic, M., Stefanovic, A., & Zatkalik, M. (2008). Twelve-Tone Technique and Tone Row Rotations in Selected Works by German Composer Hanning Schröder (1896-1987). In Zbornik Katedre za Musicku Teoriju: Muzicka Teorija i Analiza (pp. 162–175). Beograd [Serbia]: IP “Signature.”
  • Schuler, N. (2008). Hanning Schröder: Werkverzeichnis, Auswahldiskographie, Auswahlbibliographie. In H. Hanns-Werner & S. Walter-Wolfgang (Eds.), Komponisten der Gegenwart (Vol. 35, p. 20). Nachlieferung. München: text + kritik, 2007.
  • Schuler, N. (2008). Texas Books in Review.
  • Essential Musicianship. 2005 - 2008.

2007

  • Schuler, N. (2007). Course Pack: Music Theory I-IV.
  • Schuler, N. (2007). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2007). From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis. Musicological Annual, XLIII(2), 371–396.
  • Schuler, N. (2007). Music is World Music! World Music in the College-Level Teaching of Music. Musicological Annual, XLIII(1), 193–202.
  • Schuler, N. (2007). Thoughts on Trans-, Inter-, Inner-, Intra-, Cross-, Multi-, and Non-Disciplinary Approaches to Music. South Central Music Bulletin, V(2), 9–12.
  • Memories & Thoughts. 2007.
    Performances:
    • World premiere performance at the National Association of Composers USA, Texas Chapter, 2007 Conference. March 3, 2007

2006

  • Schuler, N. (2006). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (2006). Creative Music Processes as the ‘Object’ of Otto Laske’s Cognitive Musicology. In R. Janeliauskas (Ed.), Principles of Music Composing: Creative Processes (pp. 148–154). Vilnius, Lithuania: Lietuvos muzikos ir teatro akademija.
  • Schuler, N. (2006). Schröder, Hanning, Hans. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart (pp. 49–51). Kassel: Bärenreiter.
  • Schuler, N. (2006). Albertibaß (Albertische oder Alberti-Bässe). In C. Kammertöns & S. Mauer (Eds.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (p. 37). Laaber: Laaber.
  • Schuler, N. (2006). Levy, Lou [eigentlich Louis Abraham]. In C. Kammertöns & S. Mauer (Eds.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (p. 466). Laaber: Laaber.
  • Schuler, N., & Lee, W. A. (2006). Gould, Morton. In C. Kammertöns & S. Mauer (Eds.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 294–295). Laaber: Laaber.
  • Schuler, N. (2006). Suite (Lesson, Ordre, Partita, Partie). In C. Kammertöns & S. Mauer (Eds.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 701–703). Laaber: Laaber.
  • Schüler, N. (2006). Teaching Approaches to Music Theory in the United States: Towards a Stronger Undergraduate Core Curriculum. In On Methods of Music Theory and (Ethno-) Musicology: From Interdisciplinary Research to Teaching (pp. 189–202). Frankfurt / New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2006). Reflections on the History of Computer-Assisted Music Analysis II: The 1960s. Musicological Annual, XLII(1), 5–24.
  • Schuler, N. (2006). Acousmatic’ and Beyond: On Otto Laske’s Research on Musical Processes. New Sound. International Magazine for Music, 26. Retrieved from http://www.newsound.org.rs
  • Schuler, N. (2006). Towards a History and Evaluation of Statistical and Information-Theoretical Analysis of Melodic Incipits. Theoria: Historical Aspects of Music Theory, 13, 113–126.
  • Davis, R. (2006). Garland, Red [William McKinnley, Jr.]. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke –  Interpreten (pp. 271–272). Laaber: Laaber.
  • Davis, R. (2006). Garner, Erroll (Louis). (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (p. 272). Laaber: Laaber.
  • Crutcher, J. (2006). McCann, Les(lie Coleman) [Maxie]. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 499–500).
  • Crutcher, J. (2006). Silver [Silva], Horace [Ward Martin Tavares]. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 662–663). Laaber: Laaber.
  • Woolsey, T. (2006). Heller, Stephen [István]. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 329–330). Laaber: Laaber.
  • Oh, S. (2006). Hanon, Charles-Louis. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 316–317). Laaber: Laaber.
  • Oh, S. (2006). Cliburn, Van [eigentlich Harvey Lavan, Jr.]. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 179–180). Laaber: Laaber.
  • Oh, S. (2006). Kodály, Zoltan. (C. Kammertöns & S. Mauer, Eds., N. Schuler, Trans.), Lexikon des Klaviers: Baugeschichte – Spielpraxis – Komponisten und ihre Werke – Interpreten (pp. 432–433).

2005

  • Schuler, N. (2005). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2005). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (Ed.). (2005). On Methods of Music Theory and (Ethno-) Musicology: From Interdisci- plinary Research to Teaching. Frankfurt / New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2005). Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings. Musicological Annual, XXXXI(1), 31–43.
  • Schuler, N. (2005). Music to Educate, Stimulate, and Entertain: A Portrait of, and Interview with, Composer Lynn Job. South Central Music Bulletin, IV(1), 29–42.
  • Schuler, N. (2005). From Continuity of Style to Universal Tonality: A Portrait of, and Interview with, Composer Wieslaw V. Rentowski. South Central Music Bulletin, IV(1), 42–52.
  • Schuler, N. (2005). In Search of Beautiful Music: A Portrait of, and Interview with, Composer Joe Stuessy. South Central Music Bulletin, III(2), 50–59.

2004

  • Schuler, N. (2004). Course Pack: Aural Learning I-IV.
  • Schuler, N. (2004). Course Pack: Introduction to Graduate Studies in Music.
  • Schuler, N. (Ed.). (2004). Musikalische Grammatik - Musikalisches Problemlösen: Schriften 1970-1974. Frankfurt / New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2004). Towards a Methodological Globalization of Teaching Music and of Music Research (From a World Music Perspective). In Musicology and Globalization (pp. 498–502). Tokyo: Academia Music.
  • Schuler, N., & Laske, O. E. (2004). Otto Laske und die Kognitive Musikwissenschaft: Eine Einführung in Laskes Gesamtwerk und seine Utrechter Schriften. In Musikalische Grammatik und Musikalisches Problemlösen (pp. 9–20). Frankfurt am Main: Peter Lang Publishing, Inc.
  • Schuler, N., Sarhangi, R., & Séquin, C. (2004). The Influence of Incipit Length on the Results of Statistical and Information-Theoretical Melody Analysis. In Bridges: Mathematical Connections in Art, Music, and Science (pp. 133–140). Winfield, KS: Southwestern College.
  • Schuler, N. (2004). Response to Anthony J. Palmer, ‘A Philosophical View of the General Education Core.’ Philosophy of Music Education Review, 12(2), 100–102.
  • Schuler, N. (2004). From Eclecticism to Avant-Garde: A Portrait of Composer Russell C. Riepe. South Central Music Bulletin, II(2), 32–38.
  • Schuler, N. (2004). Computer Music Journal.

2003

  • Schuler, N. (2003). Otto E. Laske. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart (Vol. 10, pp. 1235–1237). Kassel: Bärentreiter.
  • Schuler, N. (2003). - [“US-American Music Theory and the Discussions about ‘Set Theory’. A Theory of Atonal Music Revisited”] “US-Amerikanische Musiktheorie und die Diskussionen um ‘Set Theory’. Eine Theorie atonaler Musik auf dem Prüfstand. In M. Christoph-Hellmut & K. Pfarr (Eds.), Aspekte historischer und systematischer Musikforschung (pp. 487–498). Mainz: Are Musik Verlag.
  • Schuler, N. (2003). Modernism in Color: Dietrich Erdmann’s Emphasis on Tone Color, or: On Anti-Avant- Garde. In R. Janeliauskas (Ed.), Composing Principles: Continuity and Innovation in Contemporary Music (pp. 97–107). Vilnius: Lietuvos Muzikos Akademija.
  • Schuler, N. (2003). On Continuity and Innovation in Contemporary Music. New Sound: International Maga- Zine for Music, 22, 77–78.
  • Schuler, N. (2003). Towards a History of Computer-Assisted Music Analysis: Developments since 1989. Jour- Nal of the Institute for Music Research at Kyunghee University [South Korea], I, 325–342.
  • Schuler, N. (2003). Computer Music Journal.
  • Schuler, N. (2003). Computer Music Journal.
  • Schuler, N. (2003). Flights of Fancy - The Music and its Composers. Centaur Records CRC 2603.

2002

  • Editor, On-Line Dictionary of Modern Music. 2002.
  • Computer-Assisted Music Analysis. 2002.
  • Schuler, N. (2002). Teaching Music Theory at SWT. San Marcos, Texas: Texas State University.
  • Schuler, N. (Ed.). (2002). Computer-Applications in Music Research: Concepts, Methods, Results. New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2002). On ‘Perspectivism in Music Research. Networks in Intra- / Inter-Disciplinary and Cross- Cultural Research. In L. Grün & F. Wiegand (Eds.), Musik Netz Werke (pp. 197–208). Berlin: Transcript Verlag.
  • Schüler, N. (2002). Computer-Applications in Music Research: A Selected Bibliography. In Computer Applications in Music Research: Concepts, Methods, Results (pp. 145–177). New York: Peter Lang Publishing, Inc.
  • Schüler, N. (2002). The Philosophical Rationale of Computer-Assisted Music Analysis: Information Theory and Aesthetics. In Computer Applications in Music Research: Concepts, Methods, Results (pp. 19–30). New York: Peter Lang Publishing, Inc.
  • Schüler, N. (2002). On Classifying Computer-Assisted Music Analysis. In Computer Applications in Music Research: Concepts, Methods, Results (pp. 125–133). New York: Peter Lang Publishing, Inc.
  • Schuler, N. (2002). Music Analysis of the Next Generation? Recent Development in Computer-Assisted Music Analysis. New Sound. International Magazine for Music, 20, 34–47.
  • Schuler, N. (2002). What is Socialist Realism in Music? New Sound.
  • Schuler, N. (2002). Networks in and Around Music. New Sound.
  • Schuler, N. (2002). musik netz werke. 16. Internationales Studentisches Symposium des Dachverbandes der Studierenden der Musikwissenschaft 3.-6.10.2001 Musikwissenschaftliches Seminar der Humboldt-Universität Berlin. Frankfurter Zeitschrift Für Musikwissenschaft.
  • Schuler, N. (2002). Computer Music Journal.
  • Schuler, N. (2002). Journal of the International Alliance for Women in Music.
  • Schuler, N. (2002). Notes.
  • Schuler, N. (2002). A Reader Responds [Curricular Ideas for Ear Training and Sight Singing]. The College Music Society Newsletter, 5.

2001

  • Schuler, N. (Ed.). (2001). Computer-Anwendungen in den Musikwissenschaften. Hamburg: von Bockel.
  • Schuler, N. (2001). Dietrich Erdmann. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart (Vol. 6, pp. 414–415). Kassel: Bärenreiter.
  • Schuler, N., & Ward, L. F. (2001). From Disco to Hip-Hop: On the Musical Youth Culture in Germany. In K. Odwarka & D. Stefancic (Eds.), Selected Papers: European Studies Conferences 1993 - 1999 (pp. 233–241). Wien: Editions Paesens.
  • Schuler, N., & Ward, L. F. (2001). Artistic Manipulation of the Masses: Musical Characteristics and Psychological Functions of the Nazi Lied. In K. Odwarka & D. Stefancic (Eds.), Selected Papers: European Studies Confer- ences 1993 - 1999 (pp. 243–251). Wien: Editions Paesens.
  • Schuler, N. (2001). On Methods and Methodology of (Computer-Assisted) Music Analysis. In K. Eberl & W. Ruf (Eds.), MusikkonzepteKonzepte der Musikwissenschaft (Vol. 1, pp. 380–385). Kassel: Bärenreiter.
  • Schuler, N. (2001). - [“A Preliminary Discussion of the Integration of ‘New Objectivity’ and Twelve-Tone Tech- nique in the Music of Hanning Schröder (1896-1987)”] “Präliminarien zur Integration von ‘Neuer Sachlichkeit’ und Zwölftontechnik in der Musik von Hanning Schröder (1896-1987).” In K. Eberl & W. Ruf (Eds.), Musikkonzepte - Konzepte der Musikwissenschaft (Vol. 2, pp. 627–633). Kassel: Bärenreiter.
  • Schuler, N. (2001). Hanning Schröder. In S. Sadie (Ed.), The New Grove Dictionary of Music and Musicians (Vol. 22, p. 645). London: Macmillan.
  • Schuler, N. (2001). Computer Music Journal.
  • Schuler, N. (2001). Computer Music Journal.

2000

  • Schuler, N. (2000). Methods of Computer-Assisted Music Analysis: History, Classification, and Evaluation. Ann Arbor, MI: UMI.
  • Schuler, N. (2000). Towards a General Methodological Classification of Computer-Assisted Music Analysis. In I. Zannos (Ed.), Proceedings of the 2000 International Computer Music Conference in Berlin (pp. 221–224). San Francisco, CA: The International Computer Music Association.
  • Schuler, N. (2000). Towards a Methodological View on (Computer-Assisted) Music Analysis. In R. Sarhangi (Ed.), Bridges: Math- ematical Connections in Art, Music, and Science (pp. 99–104). Winfried, Kansas: Southwestern College.
  • Schuler, N. (2000). Adler, H. G. In K.-P. Koch (Ed.), Lexikon zur Deutschen Musikkultur: Böhmen, Mähren, Sudetenschlesien (Vol. 1, pp. 52–55). München: Langen Müller.
  • Schuler, N. (2000). Augst, Gert. In K.-P. Koch (Ed.), Lexikon zur Deutschen Musikkultur: Böhmen, Mähren, Sudetenschlesien (Vol. 1, pp. 124–125). München: Langen Müller.
  • Schuler, N. (2000). Behm, Georg. In K.-P. Koch (Ed.), Lexikon zur Deutschen Musikkultur: Böhmen, Mähren, Sudetenschlesien (Vol. 1, pp. 191–192). München: Langen Müller.
  • Schuler, N. (2000). Computer Music Journal.
  • Schuler, N. (2000). Computer Music Journal.

1999

  • Memories & Thoughts (1997), on the CD Riot: A Compositional Device. Alliance of Michi- gan State University Composers (AMSUC), CD AMSUC01. 1999.
  • Schuler, N. (1999). A Composer’s Cognitive Musicology. In J. Tabor (Ed.), Otto Laske: Navigating New Musical Horizons (pp. 135–150). Westport, CT: Greenwood Press.
  • Tabor, J. (Ed.). (1999). A Composer’s Cognitive Musicology. In N. Schuler & O. Laske (Trans.), Otto Laske: Navigating New Musical Horizons (pp. 135–150). Westport, CT: Greenwood.
  • Schuler, N. (1999, November). [“Listening — A Neglected Art?”] “Hören — Eine vernachlässigte Kunst?” Positionen.

1998

  • Schuler, N. (Ed.). (1998). [On Problems of Music Historiography of Heroes and Geniuses] Zu Problemen der ‘Heroen’- und der ‘Genie’-Musikgeschichtsschreibung. Hamburg: von Bock.
  • Schuler, N. (1998). [“Relationships between Music and Literature in the Musicological and Compositional Work by Otto Laske. Dimensions of the ‘Literary’.”] “Beziehungen von Musik und Literatur im musikwissenschaftlichen und kompositorischen Schaffen von Otto Laske. Dimensionen des Literarischen. In Colloquium. Stadt und Region als Schauplätze des Musikgeschehens. Kom- ponist und Literatur im Kulturambiente der Neuzeit (pp. 249–254). Brno: Masarykova Universita.
  • Schuler, N. (1998). [“On Heroes, Geniuses, and others. On the Music and the Musical Life Mirrored by a Brno- German Newspaper in January 1920”] “Von Heroen, Genies und anderen. Zu Musik und Musikleben im Spiegel einer Brünner-Deutschen Zeitung im Januar 1920. In Zu Problemen der ‘Heroen’- und der ‘Genie’-Musikgeschichtsschreibung (pp. 113–146). Hamburg: von Bockel.
  • Schuler, N. (1998). Dietrich Erdmann. In H.-W. Heister & W.-W. Sparrer (Eds.), Komponisten der Gegenwart (p. 2). Munich: edition text+kritik, 16. Nachlieferung.
  • Schuler, N. (1998, November). [“Six American Composers”] “Sechs Amerikanische Komponisten.” Positionen.
  • Dirk Uhrlandt / Nico Schüler: MUSANA. A Music Analysis Program. September 1998.
  • Schuler, N. (1998, May). Positionen.
  • Schuler, N. (1998, May). [“Music in Divided Germany”] “Musik im geteilten Deutschland.” Positionen.

1997

  • Musica Multicolore. 1997.
  • Krause-Pichler, A., & Schuler, N. (Eds.). (1997). [The Similarity of New or Old. Dietrich Erdmann - Life and Work] Die Gleichheit von Neu oder Alt. Dietrich Erdmann - Leben und Werk. Freiburg: ConBrio.
  • Schuler, N. (1997). Otto Laske. In H.-W. Heister & W.-W. Sparrer (Eds.), Komponisten der Gegenwart (p. 2). Munich: edition text+kritik, 11. Nachlieferung.
  • Schuler, N. (1997). [“Between Solo and Tutti. Remarks on the Concerts by Dietrich Erdmann”] “Zwischen Solo und Tutti. Anmerkungen zum Konzertschaffen von Dietrich Erdmann. In A. Krause-Pichler (Ed.), Die Gleichheit von Neu oder Alt. Dietrich Erdmann - Leben und Werk (pp. 107–128). Freiburg: ConBrio.
  • Schuler, N. (1997). [“On Experiences, Experiments, and Intimate Music”] “Von Erlebnissen, Experimenten und intimer Musik. In A. Krause-Pichler (Ed.), Die Gleichheit von Neu oder Alt. Dietrich Erdmann - Leben und Werk (pp. 36–43). Freiburg: ConBrio.
  • Schuler, N. (1997). [“Written and Picture Documents on Life and Work of Dietrich Erdmann”] “Schrift- und Bilddokumente zu Leben und Werk von Dietrich Erdmann. In A. Krause-Pichler (Ed.), Die Gleichheit von Neu oder Alt. Dietrich Erdmann - Leben und Werk (pp. 156–173). Freiburg: ConBrio.
  • Schuler, N. (1997). [“Chronological Cataloge of Works by Dietrich Erdmann”] “[Chronologisches] Werkver- zeichnis Dietrich Erdmann. In A. Krause-Pichler (Ed.), Die Gleichheit von Neu oder Alt. Dietrich Erdmann - Leben und Werk (pp. 176–199). Freiburg: ConBrio.
  • Schuler, N. (1997). [“Selected Bibliography on Life and Work of Dietrich Erdmann”] “Auswahl-Bibliographien zu Leben und Werk [Dietrich Erdmanns]. In A. Krause-Pichler (Ed.), Die Gleichheit von Neu oder Alt. Dietrich Erd- mann - Leben und Werk (pp. 200–204). Freiburg: ConBrio.
  • Aschheim, S. E. (1997). Nietzsche, Antisemitismus und Massenmord. In W. Stegmaier & D. Krochmalnik (Eds.), N. Schuler, W. Schneider, & W. Stegmaier (Trans.), Jüdischer Nietzscheanismus (pp. 384–404). Berlin / New York: Walter de Gruyter.
  • Schuler, N. (1997, November). Fragmen über fragmen. Positionen.

1996

  • Schuler, N. (1996). [Hanning Schröder. Documents and Critical Catalog of Works] Hanning Schröder. Dokumente und Kritisches Werkverzeichnis, Verdrängte Musik (Vol. 15). Hamburg: von Bockel.
  • Ochs, E., Schuler, N., & Winkler, L. (Eds.). (1996). [Musica Baltica. Music in the Cities of the Baltic Area in the 17th and 18th Century. Musical Subject and ‘Exercitium’ - Music at Universities in the Baltic Area] Musica Baltica. Musik in den Städten des Ostseeraums im 17. und 18. Jahrhundert. Musikalisches Lehrfach und Exercitium - Musik an den Universitäten im Ostseeraum. Frankfurt/M., New York: Peter Lang Publishing, Inc.
  • Schuler, N. (Ed.). (1996). [Between Music and Society Systems. Festschrift for Cornelia Schröder- Auerbach for her 95th Birthday and in Memory of Hanning Schröder on the Occasion of his 100th Birthday]. Zwischen Noten- und Gesellschaftssystemen. Festschrift für Cornelia Schrö- der-Auerbach zum 95. Geburtstag und zum Andenken an Hanning Schröder anläßlich seines 100. Geburtstages. Frankfurt/ M., New York: Peter Lang Publishing, Inc.
  • Ochs, E., Schuler, N., & Winkler, L. (1996). [Musical Baltica. Inter- Regional  and Music Cultural Relations in the Baltic Area. Congress Report Greifswald--Gdansk 28th November to 3rd December 1993] Musica Baltica. Interregionale musikkulturelle Bezi- ehungen im Ostseeraum. Konferenzbericht Greifswald-Gdansk 28. November bis 3. Dezember 1993, Deutsche Musik im Osten (Vol. 8). Sankt Augustin: Academia Verlag.
  • Schuler, N. (Ed.). (1996). [On the Problem and on Methods of Music Analysis] Zum Problem und zu Methoden von Musikanalyse. Hamburg: von Bockel.
  • Schuler, N. (1996). [“On National Identity and Choral Singing. Some Aspects from an East German Point of View”] “Über nationale Identität und Chorsingen. Einige Aspekte aus ostdeutscher Sicht. In E. Ochs (Ed.), Musica Baltica. Interregionale musikkulturelle Beziehungen im Ostseeraum. Konferenz- bericht Greifswald-Gdansk 28. November bis 3. Dezember 1993 (Vol. 8, pp. 487–494). Sankt Augustin: Academia Verlag.
  • Schuler, N. (1996). [“Met in the ‘Pad’: On the Study Years of Cornelia Auerbach and Hans Schröder”] “Kennen- gelernt in der ‘Bude’: ?ber die Studienjahre von Cornelia Auerbach und Hans Schröder. Ein Gespräch mit Dr. Cornelia Schröder-Auerbach. In Zwischen Noten- und Gesellschaftssystemen. Festschrift für Cornelia Schröder-Auerbach zum 95. Geburtstag und zum Andenken an Han- ning Schröder anläßlich seines 100. Geburtstages (pp. 24–33). Frankfurt/ M., New York: Peter Lang.
  • Schuler, N. (1996). [“Hanning Schröder’s ‘Metronom 80’ (1969) -- Remarks on the Work of a 73-year-old”] “Hanning Schröders ‘Metronom 80’ (1969) - Bemerkungen zu dem Werk eines 73-jährigen. In Zwischen Noten- und Gesellschaftssystemen. Festschrift für Cornelia Schröder-Auerbach zum 95. Geburtstag und zum Andenken an Hanning Schröder anläßlich seines 100. Geburtstages (pp. 89–91). Frankfurt/ M., New York: Peter Lang.
  • Schuler, N. (1996). [“Documents and Catalogs. Cornelia and Hanning Schröder”] “Dokumente und Verzeichnisse [Cornelia und Hanning Schröder]. In Zwischen Noten- und Gesellschaftssystemen. Festschrift für Cornelia Schröder-Auerbach zum 95. Geburtstag und zum Andenken an Hanning Schrö- der anläßlich seines 100. Geburtstages (pp. 140–150). Frankfurt/ M., New York: Peter Lang Publishing, Inc.
  • Schuler, N. (1996). [“Methods of Computer-Assisted Music Analysis. A Historical Overview”] “Methoden com- puterunterstützter Musikanalyse - ein historischer Überblick. In Zum Problem und zu Methoden von Musikanalyse (pp. 51–76). Hamburg: von Bockel.
  • Schuler, N. (1996). Lund, 17. bis 20. August 1995: Konferenz ‘Choral Singing and Ethnic / National Identity in the Baltic Area.’ Die Musikforschung. Kassel: Bärenreiter.
  • Dirk Uhrlandt / Nico Schüler: MUSANA. A Music Analysis Program. September 1996.

1995

  • Schuler, N. (1995). [Epistemology, Musicology, Artificial Intelligence, and the Process. A Conver- sation with Otto Laske] Erkenntnistheorie, Musikwissenschaft, Künstliche Intelligenz und der Prozeß. Ein Gespräch mit Otto Laske. Peenemünde: Dietrich.
  • Ochs, E., & Schuler, N. (Eds.). (1995). [Festschrift for Kurt Schwaen for his 85th Birth- day] Festschrift Kurt Schwaen zum 85. Geburtstag. Frankfurt/M., New York: Peter Lang Publishing, Inc.
  • Schuler, N. (1995). [“The Man With the ‘Straight Walk’. In Memoriam Hanning Schröder”] “Der Mann mit dem aufrechten Gang. In memoriam Hanning Schröder. In E. Ochs (Ed.), Studien zur lokalen und territorialen Musikgeschichte Mecklenburgs und Pommerns I (pp. 74–80). Greifswald: Landesmusikrat Mecklenburg-Vorpommern e.V.
  • Schuler, N. (1995). On National Identity and Choral Singing. Some Aspects from an East German Point of View. In F. Bohlin (Ed.), Proceedings of the conference “Choral Singing and Ethnic / National Identity in the Baltic Area”, Lund, August 17-20, 1995 (p. 9). Lund: Royal Swedish Music Academy.
  • Schuler, N. (1995). Some General Considerations on Choral Singing and on the Use of the Terms ‘national’ in Choral Research. In F. Bohlin (Ed.), Proceedings of the conference “Choral Singing and Ethnic/National Iden- tity in the Baltic Area”, Lund, August 17-20, 1995 (p. 7). Lund: Royal Swedish Music Academy.
  • Schuler, N. (1995). [“Kurt Schwaen Turns 85. Biographical Notes”] “Kurt Schwaen wird 85. Biographische Notizen". In E. Ochs (Ed.), Festschrift Kurt Schwaen zum 85. Geburtstag (pp. 14–16). Frank- furt/M., New York: Peter Lang Publishing, Inc.
  • Schuler, N. (1995). [“Between Note and Society Systems. A Conversation with Kurt Schwaen”] “Zwischen Noten- und Gesellschaftssystemen. Ein Gespräch mit Kurt Schwaen". In E. Ochs (Ed.), Festschrift Kurt Schwaen zum 85. Geburtstag (pp. 17–33). Frankfurt/M., New York: Peter Lang Publishing, Inc.
  • Schuler, N. (1995). [“The Case ‘Fetzers Flucht’ by Kurt Schwaen. Radio-Opers and TV-Version in the Critique by the Journal ‘Musik und Gesellschaft’”] “Der Fall ‘Fetzers Flucht’ [Kurt Schwaen]. Funko- per und Fernsehfassung in der Kritik der Zeitschrift ‘Musik und Gesellschaft’". In E. Ochs (Ed.), Festschrift Kurt Schwaen zum 85. Geburtstag (pp. 172–183). Frankfurt/M., New York: Peter Lang Publishing, Inc.
  • Schuler, N., & Iske, I. (1995). [“Kurt Schwaen: Biographical Moments in Pictures and Written Documents”] “Biographische Momentaufnahmen in Bildern und Schriftdokumenten [Kurt Schwaen]". In E. Ochs (Ed.), Festschrift Kurt Schwaen zum 85. Geburtstag (pp. 189–239). Frank- furt/M., New York: Peter Lang Publishing, Inc.
  • Dirk Uhrlandt / Nico Schüler: MUSANA. A Music Analysis Program. September 1995.

1994

  • Schuler, N., & Uhrlandt, D. (1994). [MUSANA 1.0 / 1.1 - a Music Analysis Programm. Pro- gram Dokumentation] MUSANA 1.0 / 1.1 - ein Musikanalyseprogramm. Programmdokumen- tation. Peenemünde: Axel Dietrich.
  • Schuler, N. (1994). Greifswald / Gdansk, 28. November bis 3. Dezember 1993: Musica Baltica - interregionale musikkulturelle Beziehungen im Ostseeraum. Die Musikforschung. Kassel: Bärenreiter.
  • Dirk Uhrlandt / Nico Schüler: MUSANA. A Music Analysis Program. September 1994.

1993

  • Schuler, N., & Winkler, L. (Eds.). (1993). On Inter-Regional Music Cultural Relations in the Baltic Area. Papers of the Academic Colloquium within the Scope of the Greifswald Music Days on November 29th, 1992] Zu interregionalen musikkulturellen Beziehungen im Ost- seeraum. Referate des wissenschaftlichen Kolloquiums im Rahmen der Greifswalder Musik- tage am 29. November 1992. Greifswald: Greifswald University Press.
  • Schuler, N. (Ed.). (1993). [Chamber Music Today 3. Composers, Works, Analyses, Interview] Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview. Greifswald: Greifswald University Press.
  • Schuler, N. (1993). [“‘Inter-Regional Music Cultural Relations’ in the Discussion”] “‘Interregionale musikkulturelle Beziehungen im Ostseeraum’ in der Diskussion". In L. Winkler (Ed.), Zu interregionalen musikkulturellen Beziehungen im Ostseeraum. Referate des wissenschaftlichen Kolloquiums im Rahmen der Greifswalder Musiktage am 29. November 1992 (pp. 135–141). Greifswald: Greifswald University Press.
  • Schuler, N. (1993). [“A Conversation with Dr. Cornelia Schröder-Auerbach on December 18th, 1992”]  “Gespräch mit Dr. Cornelia Schröder-Auerbach am 18. Dezember 1992". In Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview (pp. 12–38). Greifswald: Greifswald University Press.
  • Schuler, N., & Raatz, K. (1993). [“Thoughts on Hanning Schröder’s ‘Divertimento für fünf Bläser’ and his ‘Divertimento für drei Holzbläser’”] “Gedanken zu Hanning Schröders ‘Di- vertimento für fünf Bläser’ und seinem ‘Divertimento für drei Holzbläser.’ In Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview (pp. 65–69). Greifswald: Greifswald University Press.
  • Schuler, N. (1993). [“Documents on the Compositional Work of H. Schröder”] “Dokumente zum komposito- rischen Schaffen H. Schröders. In Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview (pp. 70–83). Greifswald: Greifswald University Press.
  • Schuler, N. (1993). [“B. Meier. Revised Catalog of Important Compositions”] “B. Meier. Aktualisiertes Ver- zeichnis wichtiger Werke. In Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview (pp. 84–85). Greifswald: Greifswald University Press.
  • Schuler, N. (1993). [“Remarks on the Life and Work of Burkhard Meier and on Stylistic Characteristics of His Works under special Considertation of the ‘Fünf Essays’ (1991)”] “Anmerkungen zu Leben und Schaffen Burkhard Meiers und stilistischen Besonderheiten seiner Werke unter besonderer Berücksichtigung der ‘Fünf Essays’ (1991). In Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview (pp. 86–98). Greifswald: Greifswald University Press.
  • Schuler, N. (1993). [“Documents on the Compositional Work of B. Meier”] “Dokumente zum kompositorischen Schaffen von B. Meier. In Kammermusik Heute 3. Komponisten, Werke, Analysen, Interview (pp. 99–106). Greifswald: Greifswald University Press.

1992

  • Schuler, N. (Ed.). (1992). [Chamber Music Today 2. Composers, Works, Analyses, Interviews, Methods] Kammermusik Heute 2. Komponisten, Werke, Analysen, Interviews, Methoden. Greifswald: Greifswald University Press.
  • Schuler, N., & Winkler, L. (Eds.). (1992). [Wolfgang Amadeus Mozart. Papers of the Academic Colloquium of the Greifswald Mozart-Days on Dezember 3rd, 1991] Wolfgang Amadeus Mo- zart. Referate des wissenschaftlichen Kolloquiums der Greifswalder Mozart-Tage am 3. Dezember 1991. Greifswald: Greifswald University Press.
  • Schuler, N. (1992). [“Methods and Results of a Computer-Assisted Music Analysis of Mozart’s Works”] “Methoden und Resultate einer Computergestützten Musikanalyse Mozartscher Werke". In L. Winkler (Ed.), Wolfgang Amadeus Mozart. Referate des wissenschaftlichen Kolloquiums der Greifswalder Mozart-Tage am 3. Dezember 1991 (pp. 103–120). Greifswald: Greifswald University Press.
  • Schuler, N. (1992). [“Hanning Schröder’s ‘Metronom 80’ (1969)--Remarks on the Work of a 73-year-old”] “Hanning Schröders ‘Metronom 80’ (1969) - Bemerkungen zum Werk eines 73-Jährigen. In Kammermusik Heute 2. Komponisten, Werke, Analysen, Interviews, Methoden (pp. 35–37). Greifswald: Greifswald University Press.
  • Schuler, N. (1992). [“Conversation with Dr. Cornelia Schröder-Auerbach on November 9th, 1992”] “Gespräch mit Dr. Cornelia Schröder-Auerbach am 18.9.1992. In Kammermusik Heute 2. Komponisten, Werke, Analysen, Interviews, Methoden (pp. 45–69). Greifswald: Greifswald University Press.
  • Schuler, N. (1992). [“Interview with Prof. Burkhard Meier on July 10, 1992”] “Interview mit Prof. Burkhard Meier am 10.7.1992. In Kammermusik Heute 2. Komponisten, Werke, Analysen, Interviews, Methoden (pp. 70–92). Greifswald: Greifswald University Press.
  • Schuler, N. (1992). Friedrich Goldmanns ‘Trio für Flöte, Schlagzeug und Klavier’ (1966/67). In Kammermusik Heute 2. Komponisten, Werke, Analysen, Interviews, Methoden (pp. 93–101). Greifswald: Greifswald University Press.
  • Schuler, N., & Uhrlandt, D. (1992). [“Information Measures in Computer-Assisted Music Analy- sis”] “Informationsmaße in der computergestützten Musikanalyse. In Kammermusik Heute 2. Komponisten, Werke, Analysen, Interviews, Methoden (pp. 102–112). Greifswald: Greifswald University Press.

1991

  • Schuler, N., & Vetter, M. (Eds.). (1991). [Chamber Music Today. Composers, Musicians, Works, Analyses, Methods] Kammermusik Heute. Komponisten, Interpreten, Werke, Analysen, Methoden. Greifswald: Greifswald University Press.
  • Schuler, N. (1991). [Burkhard Meier] [“Vita and Important Works”] “Kurzbiographie und wichtige Werke. In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 8–9). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). Burkhard Meiers ‘Prokofjew-Variationen.’ In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 10–27). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). Burkhard Meiers ‘Kausalitäten.’ In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 23–27). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). Die Gruppe Neue Musik ‘Hanns Eisler’ Leipzig. In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (p. 28). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). [“Interview with Burkhard Glaetzner -- Director of the Ensemble ‘Gruppe Neue Musik Hanns Eisler’”] “Interview mit Burkhard Glaetzner - Leiter der Gruppe [Neue Musik “Hanns Eisler” Leipzig]. In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 29–58). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). Georg Katzers ‘Divertissement à trois’. In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 59–63). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). Ruth Zechlins ‘Begegnungen.’ In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 64–66). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). [“On Teaching New Chamber Music in School, exemplified on G. Katzer’s ‘Divertissement à trois’ and R. Zechlin’s ‘Begegnungen’”] “Zur Behandlung von Neuer Kammermusik in der Schule am Beispiel von G. Katzers ‘Divertissement à trois’ und R. Zechlins ‘Begegnungen.’ In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 67–74). Greifswald: Greifswald University Press.
  • Schuler, N. (1991). [“Possibilities of a Computer-Assisted Music Analysis of Chamber Music Works”] “Möglichkeiten einer Computergestützten Musikanalyse von Kammermusikwerken. In M. Vetter (Ed.), Kammermusik Heute [I]. Komponisten, Interpreten, Werke, Analysen, Methoden (pp. 75–80). Greifswald: Greifswald University Press.
  • Since 1984, numerous public solo performances on piano and voice. 1984 - Present.
  • Public group performances (chamber music, choir, choral conducting) since 1977. 1977 - Present.