Faculty Profiles

Stob, J. F. (2026). The Situationist International and the Social Space of Film: With and Against Cinema. Milton Park, Abingdon, Oxfordshire, United Kingdom: Routledge. Retrieved from https://www.routledge.com/The-Situationist-International-and-the-Social-Space-of-Film-With-and-Against-Cinema/Stob/p/book/9789463720465

Stob, J. F. (2023). Chronic Caring. MAI : Feminism and Visual Culture, 6(3). Retrieved from https://maifeminism.com/chronic-caring/

Stob, J. F. (2022). Varda’s Formalist Feminism. In The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy in Cinema and Visual Arts (pp. 15–28). New York, NY, USA: Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/sustainable-legacy-of-agn%C3%A8s-varda-9781350240902/

Stob, J. F. (2019, September). Agnès Varda (1928-2019). Texte Zur Kunst, (115), 242–246. Retrieved from https://www.textezurkunst.de/115/

Stob, J. F. (2019). In the Dark: Cinema as Spectacle’s “Privileged Figure.” Contours Journal, 9(1), 1–17. Retrieved from http://www.sfu.ca/humanities-institute/contours.html

Stob, J. F. (2019). Female Material: “Invisible Adversaries” and the Intermedial. In I. Margulies & J. Szaniawski (Eds.), On Women’s Films: Across Generations and the World (pp. 215–232). New York, USA: Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/on-womens-films-9781501332494/

Stob, J. F. (2018). “Unreconciled Social Spaces.” Docalogue. Retrieved from https://docalogue.com/october-faces-places/

Stob, J. F. (2018). Détournement, Social Space and the Cinétracts in Paris. In M. Shiel (Ed.), Architectures of Revolt: The Cinematic City circa 1968 (pp. 35–65). Philadelphia, PA, USA: Temple University Press. Retrieved from https://tupress.temple.edu/books/architectures-of-revolt

Stob, J. F. (2018). “Archive Fervor.” In Projection Series #10: Glitch Envy, Experimental Films by Jodie Mack (pp. 5–9). New Plymouth, New Zealand: Govett-Brewster Art Gallery/Len Lye Centre. Retrieved from https://static1.squarespace.com/static/61425ab7275397752348e900/t/64fa299e75a4e10521632951/1694116255501/Stob_Archive_Fervor.pdf

Stob, J. F. (2017). The Delinquency of the Script: Corneliu Porumboiu’s “Police, Adjective” (2009). Film Criticism, 41(2). https://doi.org/https://doi.org/10.3998/fc.13761232.0041.202

Stob, J. F. (2016). Private Looking and Collective Memory in "The Danube Exodus (1998)”. In M. Bozovic & M. Miller (Eds.), Watersheds: Poetics and Politics of the Danube River (pp. 120–143). Brighton, MA, USA: Academic Studies Press. Retrieved from https://www.academicstudiespress.com/9781618114877/

Stob, J. (2016, January 14). Book review [Review of The View from Above: The Science of Social Space, by J. Haffner]. French Studies.

Stob, J. (2016, January 14). Evil is as Evil Does [Review of Evil Media, by A. Goffey & M. Fuller]. Parallax.

Stob, J. (2016, January 10). Book review [Review of Writing and Filming the Painting: Ekphrasis in Literature and Film, by L. Sager Eidt]. Modern Language Review.

Stob, J. (2015, January). The Sober Joy of Thieving [Review of Radical Prototypes: Allan Kaprow and the Invention of Happenings, by J. Rodenbeck]. Criticism: A Quarterly for Literature and the Arts.

Stob, J. F. (2014). Détournement as Optic: Debord, Derisory Documents and the Aerial View. Philosophy of Photography, 5(1), 19–34. https://doi.org/https://doi.org/10.1386/pop.5.1.19_1

Stob, J. (2014). “History is What’s Happening,” 59th Annual Flaherty Film Festival, 13–21 June 2013. Moving Image Review and Art Journal (MIRAJ), 3(1), 124–132. https://doi.org/https://doi.org/10.1386/miraj.3.1.124_5

Stob, J. (2014). The Paradigms of Nicolas Bourriaud: Situationists as Vanishing Point. Evental Aesthetics, 2(4), 23–54. Retrieved from http://eventalaesthetics.net/poverty-and-asceticism-vol-2-no-4-2014/jennifer-stob-paradigms-of-nicolas-bourriaud/

Stob, J. (2013). Riverboat Europe: Interim Occupancy and Dediasporization in Goran Rebic’s Donau, Duna, Dunaj, Dunav, Dunarea (2003). In L. Engelen & K. Van Heuckelom (Eds.), European Cinema After the Wall: Screening East-West Mobility (pp. 190–212). New York: Rowman and Littlefield. Retrieved from https://www.bloomsbury.com/uk/european-cinema-after-the-wall-9798216344230/

Stob, J. (2013). “D’Est,” “Sud,” “De l’autre côté,” “L``a-bas,” “Toute une nuit,” and “Belgian Surrealist Cinema,.” In M. Block & J. Szaniawski (Eds.), Directory of World Cinema: Belgium (pp. 89–96, 100–101, 258–260). Chicago: University of Chicago Press. Retrieved from https://press.uchicago.edu/ucp/books/book/distributed/D/bo16814197.html

Stob, J. (2012). Cut and Spark: Chris Marker, Andrƒ Bazin and the Metaphors of Horizontal Montage. Studies in French Cinema, 12(1), 35–46. https://doi.org/10.1386/sfc.12.1.35_1