Faculty Profiles

Stob, J. F. (2023). Chronic Caring. MAI : Feminism and Visual Culture, 6(3). Retrieved from https://maifeminism.com/chronic-caring/

Stob, J. F. (2022). Varda’s Formalist Feminism. In The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy in Cinema and Visual Arts (pp. 15–28). New York, NY, USA: Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/sustainable-legacy-of-agn%C3%A8s-varda-9781350240902/

Stob, J. F. (2019, September). Agnès Varda (1928-2019). Texte Zur Kunst, (115), 242–246. Retrieved from https://www.textezurkunst.de/115/

Stob, J. F. (2019). In the Dark: Cinema as Spectacle’s “Privileged Figure.” Contours Journal, 9(1), 1–17. Retrieved from http://www.sfu.ca/humanities-institute/contours.html

Stob, J. F. (n.d.). Female Material: “Invisible Adversaries” and the Intermedial. In I. Margulies & J. Szaniawski (Eds.), On Women’s Films: Across Generations and the World. New York, USA: Bloomsbury Academic.

Stob, J. F. (2018). “Unreconciled Social Spaces.” Docalogue. Retrieved from https://docalogue.com/october-faces-places/

Stob, J. F. (n.d.). Détournement, Social Space and the Cinétracts in Paris. In M. Shiel (Ed.), Architectures of Revolt: The Cinematic City circa 1968. Philadelphia, PA, USA: Temple University Press. Retrieved from https://www.amazon.com/Architectures-Revolt-Cinematic-Landscape-Policy/dp/1439910030

Stob, J. F. (2018). “Archive Fervor.” In Projection Series #10: Glitch Envy, Experimental Films by Jodie Mack. New Plymouth, New Zealand: Govett-Brewster Art Gallery/Len Lye Centre. Retrieved from https://govettbrewster.com/media/uploads/2018_05/GB_Projection_Series_10_Glitch_Envy_Jodie_Mack.pdf

Stob, J. F. (2017). The Delinquency of the Script: Corneliu Porumboiu’s “Police, Adjective” (2009). Film Criticism, 41(2). Retrieved from https://www.filmcriticismjournal.org

Stob, J. F. (2016). Private Looking and Collective Memory in "The Danube Exodus (1998)”. In M. Bozovic & M. Miller (Eds.), Watersheds: Poetics and Politics of the Danube River. Brighton, MA, USA: Academic Studies Press. Retrieved from https://www.academicstudiespress.com/browse-catalog/watersheds-poetics-and-politics-of-the-danube-river

Stob, J. (2016, January 14). Book review [Review of The View from Above: The Science of Social Space, by J. Haffner]. French Studies.

Stob, J. (2016, January 14). Evil is as Evil Does [Review of Evil Media, by A. Goffey & M. Fuller]. Parallax.

Stob, J. (2016, January 10). Book review [Review of Writing and Filming the Painting: Ekphrasis in Literature and Film, by L. Sager Eidt]. Modern Language Review.

Stob, J. (2015, January). The Sober Joy of Thieving [Review of Radical Prototypes: Allan Kaprow and the Invention of Happenings, by J. Rodenbeck]. Criticism: A Quarterly for Literature and the Arts.

Stob, J. F. (2014). Détournement as Optic: Debord, Derisory Documents and the Aerial View. Philosophy of Photography, 5(1).

Stob, J. (2014). “History is What’s Happening,” 59th Annual Flaherty Film Festival, 13–21 June 2013. Moving Image Review and Art Journal (MIRAJ), 3(1).

Stob, J. (2014). The Paradigms of Nicolas Bourriaud: Situationists as Vanishing Point. Evental Aesthetics, 2(4), 23–54. Retrieved from http://eventalaesthetics.net/poverty-and-asceticism-vol-2-no-4-2014/jennifer-stob-paradigms-of-nicolas-bourriaud/

Stob, J. (2013). Riverboat Europe: Interim Occupancy and Dediasporization in Goran Rebic’s Donau, Duna, Dunaj, Dunav, Dunarea (2003). In L. Engelen & K. Van Heuckelom (Eds.), European Cinema After the Wall: Screening East-West Mobility. New York: Rowman and Littlefield.

Stob, J. (2013). “D’Est,” “Sud,” “De l’autre côté,” “L``a-bas,” “Toute une nuit,” and “Belgian Surrealist Cinema,.” In M. Block & J. Szaniawski (Eds.), Directory of World Cinema: Belgium. Chicago: University of Chicago Press.

Stob, J. (2012). Cut and Spark: Chris Marker, Andrƒ Bazin and the Metaphors of Horizontal Montage. Studies in French Cinema, 12(1), 35–46. https://doi.org/10.1386/sfc.12.1.35_1