Faculty Profiles

Martinez, A. L. (2026). La sensación de colectivo en plazas y calles: Entering Public Spaces in Latin America. In Theatre Things: Material Theories and Histories. Ann Arbor, Michigan, USA: University of Michigan Press. https://doi.org/10.3998/mpub.12677358

Martinez, A. L. (2026). Berta Cáceres volverá y será millones: Ancestras de Hermes Reyes. Tramoya: Cuaderno de Teatro.

Martinez, A. L. (n.d.). Performing the Goodlife: Latin American Theatre and Environmental Justice. Ann Arbor: University of Michigan Press, United States: University of Michigan Press.

Martinez, A. L., & Olivares-Urueta, M. (2025). Embracing Our Tejanidad: Becoming Comadres Chingonas during Covid-19. In Somos Tejanas: Chicana Identity and Culture in Texas. Austin, TX, United States: University of Texas Press. Retrieved from https://utpress.utexas.edu/9781477330609/#generate-pdf

Martinez, A. L. (n.d.). Performance Latinoamericano, justicia ambiental y el buen vivir: metodologías  situadas de co-creación. In Saberes que transforman: horizontes de la investigación-creación. Bogotá, Colombia: Universidad del Área Andina, Areandina.

Martinez, A. L. (2025). Bertita Cáceres en el teatro: Entrevista con Hermes Reyes y su lucha por la  justicia social en Honduras. Latin American Theatre Review, 59, 133–142.

Martinez, A. L. (2024). Relics, Effects, and Bones: Migrancy Material Traces in Performance. In Puppet and Spirit: Ritual, Religion, and Performing Objects. Volume II: Contemporary Branchings: Secular Benedictions, Activated Energies, Uncanny Faiths (Vol. 2). New York, United States: Roudledge. https://doi.org/10.4324/9781003150589

Martinez, A. L., Martínez, V., & Ochoa, J. (2024). ¿Qué vamos a comer? Colombia’s  Mojojoy! Performance Research, 28. https://doi.org/10.1080/13528165.2023.2363662

Martinez, A. L. (2023). Sancocho, teatro y pez Capitán: Entrevista con María Buenaventura y su lucha contra los  silencios bogotanos. Latin American Theatre Review, 91–100. https://doi.org/10.1353/ltr.2023.a917969

Martinez, A. L. (2023). “Performing and Decolonizing Food-Related Practices: First International Festival of  Gastroperformance in Bogotá, Colombia.” Latin American Theatre Review, 56. https://doi.org/10.1353/ltr.2023.a919125

Martinez, A. L. (2023, February). Book Review: “Choreographing Mexico: Festive Performances and Dancing Histories of a Nation.” Journal of Latin American Studies. Cambridge, UK, United Kingdom: Cambridge University Press. https://doi.org/10.1017/S0022216X2300007X.

Martinez, A. L. (2022). Bodies of Corn, Maguey, and Water: Performing Latin American Environmentalisms. Critical  Stages / Scènes Critiques, (Special Issue: Theatre and Ecology / Théâtre et écologie). Retrieved from https://www.critical-stages.org/26/bodies-of-corn-maguey-and-water-performing-latin-american-environmentalisms/

Martinez, A. L. (2022). “Making Borderization Visible: Susan Harbage Page’s Performative Works in and about the  U.S.-Mexico Border.” In Embodied Cartography in Territorial Disputes. Davidson, North Carolina, United States: Davidson College, Van Every/Smith Galleries. Retrieved from https://static1.squarespace.com/static/62367cb7eea8707a09c5e131/t/6542ba6d282d1b38a41361aa/1698871924278/Embodied+Cartography+Davidson+Catalogue.pdf

Martinez, A. L. (2021). Teatro Línea de Sombra durante la pandemia: Entrevista con Alicia Laguna y Jorge A. Vargas. Latin American Theatre Review (Vol. 55, p. 169¬ – 178). Lawrence, Kansas, United States: Center of Latin American Studies, University of Kansas. https://doi.org/10.1353/ltr.2021.0022

Martinez, A. L. (2020). Performance in the Zócalo: Constructing History, Race, and Identity in Mexico’s Central Square from the Colonial Era to the Present. Ann Arbor, Michigan, United States: University of Michigan Press. https://doi.org/10.3998/mpub.10160834

Martinez, A. L., & Weinstein, B. (2017). Othering and Othered. Trans-Journal, 3, 73–89.

Martinez, A. L. (2013). Distrito Federal: “Global City, Ha, Ha, Ha!” In Performance and the Global City (pp. 183–201). Basingstoke, United Kingdom: Palgrave. Retrieved from https://link.springer.com/chapter/10.1057/9781137367853_10

Martinez, A. L. (2011). Scenographies behind the Scenes: Mapping, Classifying, and Interpreting John Rich’s 1744 Inventory of Covent Garden. In The Stage’s Glory: John Rich (1642–1761) (pp. 225–237). Newar, DE, United States: University of Delaware Press.

Martinez, A. L. (2009). Urban Scenographies: The Revolt of the Mannequins Visits Berlin. Western European Stages (Vol. 21, pp. 5–8). New York City, United States: Martin E. Segal Theatre Center. Retrieved from https://europeanstages.org/

Martinez, A. L. (2008). The 2007 Prague Quadrennial: 11th International Exhibition of Scenography and Theatre Architecture. Slavic and East European Performance (Vol. 28, pp. 61–72). New York, United States: Martin E. Segal Theatre Center. Retrieved from https://europeanstages.org/past-issues/slavic-and-east-european-performance-archive/

Martinez, A. L. (2008). Johannes Dokchtor Faust by The Czechoslovak-American Marionette Theatre. Slavic and East European Performance (Vol. 28, pp. 87–93). New York City, United States: Martin E. Segal Theatre Center. Retrieved from https://europeanstages.org/past-issues/slavic-and-east-european-performance-archive/

Martinez, A. L. (2007). La Piel at Foro Sor Juana Inés de la Cruz, Mexico City. Theatre Journal (Vol. 59, pp. 302–303). Baltimore, Maryland, United States: Johns Hopkins University Press. https://doi.org/10.1353/tj.2007.0121

Martinez, A. L. (2007). Entrevista con Agustín Meza. Latin American Theatre Review (2nd ed., Vol. 40, pp. 135–139). Lawrence, Kansas, United States: Center of Latin American Studies, University of Kansas. https://doi.org/10.1353/ltr.2007.0001