Faculty Profiles

Perkins, A. G. (2024). The Seeing I: Queer Desire in Rosario Ferré’s  “When Women Love Men.” Ámbitos Feministas, (12), 67–86.

Perkins, A. G. (2021). Queering Autobiography: Polyphony and Multiple Identifications in Milk of Amnesia/Leche de amnesia. Romance Notes, 61(2), 341–352.

Perkins, A. G. (2021). Mapping the Hyperlocal Body: Queer Interventions in the Performances of Felipe Rivas San Martín. International Journal of Performance Arts and Digital Media, 17, 356–372. https://doi.org/10.1080/14794713.2021.1982498

Perkins, A. G. (2021). Queer Materiality, Contestatory Histories, and Disperse Bodies in La mucama de Omicunlé. Journal of Latin American Cultural Studies, 30(1), 47–60.

Perkins, A. G. (2019). Transtemporality in Twenty-First Century Queer Representation. Wasafiri.

Perkins, A. G. (2019). Review of Abject Performances: Aesthetic Strategies in Latino Cultural Production (Durham, NC: Duke University Press, 2018,\pounds 18.99/$24.94). Pp. xii+ 216. isbn 0822 3707 86. Journal of American Studies. Cambridge University Press.

Perkins, A. G. (2018). Developing Identity and Agency as a Scholar. In Foundations of Engaged Scholarship (pp. 107–123). Cognella Academic Publishing.

Perkins, A. G. (2017). Representing Queer and Transgender Identity: Fluid Bodies in the Hispanic Caribbean and Beyond. Bucknell University Press.

Perkins, A. G. (2017). We are family: Translocations of Queer Kinship in Mayra Santos Febres’s Sirena Selena vestida de pena. Chasqui, 46(1), 70–83.

Perkins, A. G. (2017). Resisting Neocolonialism and Finding Identity through New Memory. SX Salon.

Perkins, A. G. (2016). Queer Affect and Transnational Movement in Yolanda Arroyo Pizarro’s Caparazones. Romance Studies, 34(2), 89–100.

Perkins, A. G. (2016). Review of Macho Ethics: Masculinity and Self-Representation in Latino-Caribbean Narrative by Jason Cortés. Hispanic Review. University of Pennsylvania Press.

Perkins, A. G. (2014). Un pacto tácito: Escritura y poder en Autobiografía del esclavo poeta de Juan Francisco Manzano. Decimonónica, 11(2), 52–69.

Perkins, A. G. (2013). Loose Tongues/Promiscuous Identities: Linguistic Register and Code-switching as Catalysts of Intersectionality in “Pollito Chicken” and Dominicanish. Letras Femeninas, 39(2), 9–25.

Perkins, A. G. (2011). Bleeding Borders: Abjection in the works of Ana Mendieta and Gina Pane. Letras Femeninas, 37(1), 31–46.