Scholarly and Creative Works
2024
- Haegele, L. K. (2024). Popfeminist Approaches to Rape-and-Revenge: Avenging with Awkwardness in Emerald Fennell’s Promising Young Woman (UK/USA 2020) and Ziska Riemann’s Lollipop Monster (Germany 2011). In C. Künzel (Ed.), Rape-and-Revenge: Rache-Kulturen und sexualisierte Gewalt in intermedialer Perspektive (pp. 193–210). Göttingen, Germany: Vandenhoeck & Ruprecht.
- Haegele, L. K. (n.d.). From Censors to Sex Cinemas: Exploiting Rainer Werner Fassbinder’s Wildwechsel (1972). New German Critique.
2023
- Haegele, L. K. (2023). The Transnational Giallo: Jess Franco’s Paroxismus (1969) and the Postmodern Crisis of Temporality. In F. G. Pagnoni Berns & M. Edwards (Eds.), Bloodstained Narratives: The Giallo Film in Italy and Abroad (pp. 67–83). Jackson, MS: University Press of Mississippi.
- Haegele, L. K. (2023). On Being Adjacent to Historical Violence, edited by Irene Kacandes. The German Quarterly. https://doi.org/DOI: 10.1111/gequ.12390
2022
- Haegele, L. K. (2022). “Eine gigantische Vergewaltigung”: Rape as Subject in Roger Fritz’s Mädchen mit Gewalt (1970). In E. Krimmer & P. A. Simpson (Eds.), German #MeToo: Rape Cultures and Resistance, 1770-2020 (pp. 263–282). Rochester, NY: Camden House.
2019
- Haegele, L. K. (2019). Guns, Girls, and Gynecologists: West German Exploitation Cinema and the St. Pauli Film Wave in the Late 1960s. In M. Abel & C. Gerhardt (Eds.), Celluloid Revolt: German Screen Cultures and the Long Sixties (pp. 134–151). Rochester, NY: Camden House.
- Haegele, L. K. (2019). Breaking Borders: Niklaus Schilling’s Critical Spy Drama Der Willi-Busch‐Report. In V. Glajar, A. Lewis, & C. Petrescu (Eds.), Cold War Spy Stories from Eastern Europe (pp. 279–306). Lincoln, NE: University of Nebraska Press.
2018
- Haegele, L. K. (2018). Gender, Genre, and the (Im)Possibilities of Romantic Love in Derek Cianfrance’s Blue Valentine (2010) and Maren Ade’s Everyone Else (2009). In M. Abel & J. Fisher (Eds.), The Berlin School and Its Global Contexts: A Transnational Art Cinema (pp. 59–75). Detroit, MI: Wayne State University Press.
2017
- Haegele, L. K. (2017). Beyond the Left: Violence and the Politics of Affect in Roland Klick’s Bübchen--Der kleine Vampir (1968). The Sixties: A Journal of History, Politics, and Culture, 10(1), 45–62.
2014
- Haegele, L. K. (2014). Herzsprung. In B. Wagner (Ed.), DEFA After East Germany (pp. 296–302). Rochester, NY: Camden House.
2013
- Haegele, L. K. (2013). Violence. In R. F. Cook, L. Koepnick, K. Kopp, & B. Prager (Eds.), Berlin School Glossary: An ABC of the New Wave in German Cinema (pp. 271–278). Chicago, IL: Intellect.
2011
- Haegele, L. K. (2011). Panel Two: Creative Tensions in German Culture. The Good Germans? New Transatlantic Perspectives: Conference Report. Freie Universität Berlin and the German Studies Association.