Faculty Profiles

Colleges and Departments

Dr. John Fleming

  • Dean, Fine Arts & Communication
  • Professor at Department of Theatre & Dance, College of Fine Arts & Communication

Scholarly and Creative Works

2020

  • Fleming, J. (n.d.). Art and Aesthetics. In Tom Stoppard in Context. Cambridge, United Kingdom: Cambridge University Press.

2017

  • Fleming, J. (2017). Introduction. In Rosencrantz and Guildenstern are Dead/Rosencrantz et Guildenstern sont morts (pp. 8–36). Toulouse, France: Presses Universitaires du Midi.

2016

  • Fleming, J. (2016). Sunny Afternoon. (Davies and Penhall, Ed.). London: Routledge.
  • Narrator, The Legend of Sleepy Hollow. October 31, 2016.
    Performances:
    • Texas State University Symphony Orchestra. Evans Auditorium.

2015

  • Fleming, J., Carlson, A., Brockett, O., & Ball, R. (2015). The Essential Theatre. Boston: Wadsworth Cengage.
  • Fleming, J. (2015). Tom Stoppard. In Fifty Modern and Contemporary Dramatists (pp. 215–220). London: Routledge.

2013

  • Fleming, J., & Carlson, A. (2013). The Essential Theatre.
  • Fleming, J., & Carlson, A. (2013). Plays for the Theatre. (O. Brockett & R. Ball, Eds.). Boston: Wadsworth Cengage.
  • Fleming, J. (2013). Tom Stoppard: A Portrait of the Artist as a Young Man. In The Real Thing: Essays on Tom Stoppard in Celebration of His 75th Birthday (pp. 36–103). Cambridge: Cambridge Scholars Publishing.
  • Fleming, J. (2013). It’s wanting to know that makes us matter: Epistemological and Dramatic Issues in Tom Stoppard’s Arcadia. Miranda, 8.

2012

  • Fleming, J. (2012). [Review of Tom Stoppard: A Bibliographic History, by W. Baker & G. N. Wachs]. Style.

2011

  • Fleming, J. (2011). Arcadia: Unlocking Its Form and Structure. In L. Campos & J. Vatain (Eds.), Lectures de Tom Stoppard: Arcadia (pp. 75–86). Rennes, France: Presses Universitaires de Rennes.
  • Playwright, Foreign Exchange (or The Visitor). November 2011.
    Performances:
    • New Works Festival.

2010

  • Fleming, J. (2010). Edward Albee. In The New Book of Knowledge. Scholastic Books.
  • Playwright, Freudian Afternoon. November 2010.
    Performances:
    • New Works Festival.

2009

  • Fleming, J. (2009). Arcadia. (T. Stoppard, Ed.). London: Continuum Press.
  • Fleming, J. (2009). Harold Pinter. In The New Book of Knowledge, Scholastic Books. Scholastic Books.

2008

  • Fleming, J. (2008). Romulus Linney: Maverick of the American Theater. Lyme, New Hampshire: Smith and Kraus.
  • Playwright, The Two Lives of Napoleon Beazley. February 21, 2008 - March 16, 2008.
    Performances:
    • Incumbo Theatre, New York.

2007

  • Fleming, J. (2007). Stoppard vs. Brecht: Competing Visions of Galileo. In S. Constantinidis (Ed.), Text and Presentation 2006 (pp. 58–69). Jefferson, North Carolina: McFarland Publishers.
  • Fleming, J. (2007). August Wilson. In The New Book of Knowledge. Scholastic Books.
  • Playwright, Transposing Shakespeare. April 2007.
    Performances:
    • DFW Fringe Festival. Dallas Hub Theatre.

2005

  • Fleming, J. (2005). Views, Values, and Worship: Religion and Social Class in the Plays of Romulus Linney. In S. Constantinidis (Ed.), Text and Presentation 2004 (pp. 134–143). Jefferson, North Carolina: McFarland Publishers.
  • Playwright, The Two Lives of Napoleon Beazley. July 14, 2005 - July 31, 2005.
    Performances:
    • Austin Playhouse.

2004

  • Fleming, J. (2004). Drama. In The New Book of Knowledge. Scholastic Books.
  • Playwright, Transposing Shakespeare. November 11, 2004 - November 14, 2004.
    Performances:
    • Main Stage.
  • Playwright, Freudian Afternoon. January 29, 2004.
    Performances:
    • FronteraFest. Austin.

2003

  • Playwright, The Two Lives of Nathaniel Dupree. December 3, 2003 - December 6, 2003.
    Performances:
    • Studio Theatre Season.
  • Playwright, Transposing Shakespeare. October 25, 2003.
    Performances:
    • American College Theatre Festival. Main Stage, Plano.
  • Playwright, Transposing Shakespeare. October 14, 2003 - October 19, 2003.
    Performances:
    • Main Stage.
  • Playwright, Picnic (No, not that Picnic). September 6, 2003.
    Performances:
    • William Inge 24-Hour Play Festival.
  • Playwright, To Dog Godot. January 26, 2003.
    Performances:
    • FronteraFest. Austin.

2002

  • Fleming, J. (2002). When Noah Meets Mitch: The Medieval Mysteries in Contemporary Honduras. Latin American Theatre Review, 36(1), 107–124.
  • Fleming, J. (2002). Honduras’s Teatro La Fragua: The Many Faces of Political Theatre. The Drama Review, 46(2), 47–65.
  • Playwright, Transposing Shakespeare. November 8, 2002 - November 9, 2002.
    Performances:
    • SWT Studio.
  • Playwright, Aristophanes’ Lysistrata. February 26, 2002 - February 27, 2002.
    Performances:
    • SWT At-Random Theatre.

2001

  • Fleming, J. (2001). Stoppard’s Theatre: Finding Order amid Chaos. Austin, Texas: University of Texas Press.
  • Fleming, J. (2001). A Lesson Before Dying: A Modern Existential Tragedy. The Journal of American Drama and Theatre, 13(3), 24–41.

2000

  • Dramaturg, Arcadia. 2000.
    Performances:
    • Auburn.
  • Aristophanes’ Lysistrata. 2000.

1999

  • Screenwriter, Where Time Stands Still. 1999.
    Performances:
    • Houston International Film Festival.
  • Fleming, J. (1999). Facing the Holocaust: Romulus Linney’s Examination of Goering at Nuremberg. The Journal of American Drama and Theatre, 11(1), 81–92.
  • Fleming, J. (1999). Antigone in Argentina: Griselda Gambaro’s Antígona Furiosa. Text and Performance Quarterly, 19(1), 74–90.
  • Playwright, Aristophanes’ Lysistrata. April 1999.
    Performances:
    • The Original Theatre Co. at Jan Dempsey Community Arts Center, Auburn.
  • Director, Aristophanes’ Lysistrata. April 1999.
    Performances:
    • The Original Theatre Co. at Jan Dempsey Community Arts Center, Auburn.

1998

  • Dramaturg, The Skin of Our Teeth. 1998.
    Performances:
    • Auburn.
  • Playwright, Transposing Shakespeare. January 1998.
    Performances:
    • Theatre Upstairs.
  • Director, Transposing Shakespeare. January 1998.
    Performances:
    • Auburn University Theatre Upstairs.

1997

  • Dramaturg, The Government Inspector. 1997.
    Performances:
    • Auburn.
  • Dramaturg, The Real Inspector Hound. 1997.
    Performances:
    • Auburn.

1996

  • Fleming, J. (1996). Tom Stoppard: His life and career before Rosencrantz and Guildenstern. The Library  Chronicle, 26(3), 110–161.

1995

  • Fleming, J. (1995). Argentina On Stage: Griselda Gambaro’s Information For Foreigners and Antígona Furiosa. Proceedings of the Louisiana Conference on Hispanic Language and Literatures, 71–82.
  • Fleming, J. (1995). Collections, Bibliography. Theatre Insight, (14), 54–58.
  • Playwright, The World Upside Down. October 1995.
    Performances:
    • Play Ground Zero Theatre, Austin.

1994

  • Fleming, J. (1994). Forging a Honduran Identity: The People’s Theatre of Teatro La Fragua. Latin American Theatre Review, 28(1), 139–152.
  • Director, Sand Mountain Matchmaking. April 1994.
    Performances:
    • University of Texas Laboratory Theatre Season.

1993

  • Dramaturg, Antigone. 1993.
    Performances:
    • U. of Texas at Austin, Theatre Room Season.
  • Fleming, J. (1993). A Talk With Tom Stoppard. Theatre Insight, (10), 17–26.
  • Playwright, Shakespeare: For All Times. February 1993 - March 1993.
    Performances:
    • Vortex Performance Cafe, Austin.

1992

  • Playwright, Shakespeare: For All Ages. April 1992.
    Performances:
    • Random Theatre University of Texas.

1991

  • Playwright, Lifeline. 1991.

1989

  • Stage Manager, The Boys from Syracuse. 1989.
  • Actor, The American Clock. 1989.

1988

  • Actor, The Birds. 1988.
    Performances:
    • Broom Street Theatre, Madison, WI.