Faculty Profiles

Reed, J. A. (2024). The Barn, 11 Views, Notes on a Dry Land: No. 1. Texas: Victory in the Wilderness Museum.

Reed, J. A. (2023). Atascosa Borderlands. Acted as editor and publisher for this book in collaboration with Center for Study of the Southwest. Victory in the Wilderness Museum.

Reed, J. A. (2023). Pecos. Acted as editor and publisher for this book in collaboration with Center for Study of the Southwest. Victory in the Wilderness Museum.

Sherman, M. A., & Reed, J. (Eds.). (2022). Otherwise It Would Be Just Another River: Borderland Collective’s Practice in Dialogue and Collaboration. Leipzig, Germany: Spector Books.

Pérez de Miles, A. (2022). Where is the Border? In M. A. Sherman & J. A. Reed (Eds.), Otherwise it would be just another river: Ten years of Borderland Collective’s practice in collaboration and dialogue (pp. 48–64). Leipzig, Germany: Spector Book.

Reed, J. (2022). Field Work. Texas, United States: Victory in the Wilderness Museum. Retrieved from https://victoryinthewilderness.org/Field-Work-Page

Reed, J., & Menjivar, M. (2021). Borderland Collective. In Social Practice Art: Technologies for Change. Oxfordshire, UK: Routledge Press.

Reed, J. A. (2021). La Esperanza de ser Yo 2. In Published in collaboration between Borderland Collective and the Migrant Education Program of Region 15 Texas Education Service Center. Funded by federal Migrant Education Network grants.

Reed, J. A. (2020). The Place Where Flags Wave, Volume 2. Published as part of new research project, The Victory in the Wilderness Museum.

Reed, J. A. (2019). Blackwell School: Images and Voices from the Archive. In Published in collaboration between Borderland Collective and the Blackwell School Alliance in Marfa, Texas.

Reed, J. A. (2019). Losing Control Exhibition Catalog. (A. Hernandez, Ed.). Athens Institute for Contemporary Art.

Reed, J. A. (2019). The Place Where Flags Wave, Volume 1. Published as part of new research project, The Victory in the Wilderness Museum.

Reed, J. A. (2018). La Esperanza de ser Yo. In Published in collaboration between Borderland Collective and the Migrant Education Program of Region 15 Texas Education Service Center. Funded by federal Migrant Education Network grants.

Reed, J. A. (2018). Oil-land. In Published in collaboration between Borderland Collective and the International School of the Americas. Funded by private foundation grants from Reliance Ener gy and the Archer Foundation.

Reed, J. A. (2018). Borderland Collective: Disrupting the Classroom through Inquiry- Driven and Collaborative Art Projects. Trends: The Journal of the Texas Art Education Association, (Fall 2018).

Sherman, M. A., Reed, J. A., & Menjivar, M. J. (2018). One to Another: Borderland Collective. San Marcos, Texas: Borderland Collective.

Reed, J. A. (2017). The Land of Opportunity. Published on occasion of Black Gold: Field Notes exhibition.

Reed, J. A. (2016). Border-land. In Borderland Collective and the International School of the Americas.

Reed, J. A., & Wright, M. (2016). Swan Cycle: Chapter Three. Strange Pilgrims. Lakes Were Rivers Collective.

Reed, J. A. (2016). You Are Here: Texas Photographers Respond to the Texas Landscape Exhibition Catalog. (K. Steinke, Ed.). Texas A&M Wright Gallery.

Reed, J. A. (2015). Strange Pilgrims. University of Texas Press.

Reed, J. (2013). Texas Biennial 2013 Exhibition Catalog. (S. Little, Ed.). San Antonio, TX: Blue Star Contemporary Museum.

Reed, J. (2013). The Photograph & the Album. In T. Wilkie, J. Carson, & R. Miller (Eds.), Wurzbach Manor: Narratives of Resettlement. Edinburgh and Boston: MuseumsEtc.

Reed, J. (2012). 2012 Exhibitions Catalog. (D. Bram, Ed.). Fraction Magazine.

Reed, J. (2012). 2012 Exhibitions Catalog. (S. Gaulager, Ed.). Austin, TX: Co-Lab Gallery.

Reed, J. (2012). Los Americanos e-Catalog. (L. Kudelia, Ed.). Dallas, TX: Dallas Contemporary.

Reed, J. (2011). Cantanker, Issue 11. (R. Cook & C. Rudd, Eds.). Austin, TX: Ambiguous Object Exhibition, Pump Project.

Reed, J. (2011). It’s All About Brooklyn. Brooklyn, NY: Borderland Collective, Brooklyn School for Collaborative Studies, Open Source Gallery.

Reed, J. (2011). Lakes Were Rivers: Number One. (B. Stone, Ed.). Austin, TX: Lakes Were Rivers Collective.

Reed, J. (2011). Mi Voz: Presidio, TX. Presidio, TX: Borderland Collective.

Reed, J. (2011). Newcomers: San Antonio, TX. San Antonio, TX: Borderland Collective.

Reed, J. (2011). Texas Biennial 2011 Exhibition Catalog. (V. Rutledge, Ed.). Texas: Texas Biennial Exhibition.

Reed, J., Fauerso, J., Browne, J., & Ryan, S. (2011). Wurzbach Manor: Narratives of Resettlement. San Antonio, TX: Artpace, San Antonio Public Library.

Reed, J. (2009). Big Lake: Reagan County, TX. Reagan County, TX: Borderland Collective.

Reed, J. (2008). New Art/Arte Nuevo Exhibition Catalog. (B. Huerta & K. Vargas, Eds.). San Antonio, TX.

Reed, J. (2008). Two Worlds: Albuquerque, NM. Albuquerque, NM: Borderland Collective.

Reed, J. (2007). La Ultima Frontera Portfolio. Journal of Big Bend Studies, 19.