Faculty Profiles

Duganne, E. D., Hyacinthe, G., & Richmond, S. (Eds.). (n.d.). Feminist Visual Solidarities and Kinships. New Brunswick, NJ: Rutgers University Press.

Duganne, E. D. (n.d.). Dreams of a Continent: Artists Call’s Transnational Solidarity. Austin, TX: University of Texas Press.

Duganne, E. D., Phu, T., Nguyen, D., & Waters, K. (2025, May). Cold War Visual Legacies. Journal of War and Culture Studies.

Duganne, E. D., Phu, T., Nguyen, D., & Waters, K. (Eds.). (2025). Cold War Visual Legacies. Journal of War and Culture Studies (Vol. 18).

Duganne, E. D., Diack, H., & Weissman, T. (n.d.). Global Photography: A Critical History, 2nd edition. London, England: Routledge.

Duganne, E. D., Bate, D., & Wells, L. (Eds.). (2024). Special Issue on Boundaries and Borders. photographies (Vol. 17).

Duganne, E. D. (2024). The Kamoinge Workshop’s Togetherness. In A. A. Azoulay, W. Ewald, S. Meiselas, L. Raiford, & L. Wexler (Eds.), Collaboration: A Potential History of Photography. Thames and Hudson.

Duganne, E. D. (2023). “One Photograph: ‘¡No Nos Desapareceremos!’: Artists Call’s Visual Solidarity with Central America, Photography and Culture.” Photography & Culture, 16(1), 59–62.

Duganne, E. D. (2023). “Forgotten Transnational Solidarity Between the Americas" for Gregory Sholette’s Our Bare Art World. Retrieved from https://open.substack.com/pub/gregorysholette/p/forgotten-transnational-solidarity?r=50lhk&utm_campaign=post&utm_medium=web

Duganne, E. D. (n.d.). Transnational Visual Solidarities. In M. Hand & B. Sandwell (Eds.), Bloomsbury Encyclopedia of Visual Culture. Bloomsbury Press.

Duganne, E. D. (2023). “Group Material’s ‘Art for the Future’: Visualizing Transnational Solidarity at the End of the Global Cold War.” In T. Phu, A. Noble, & E. D. Duganne (Eds.), Cold War Camera (pp. 113–142). Durham, NC: Duke University Press.

Phu, T., Noble, A., & Duganne, E. D. (Eds.). (2023). Cold War Camera. Durham, NC: Duke University Press.

Duganne, E. D. (2023). “Artists Call and Ideas of Solidarity.” In E. Szakács & N. Mohaiemen (Eds.), Solidarity Must Be Defended (pp. 151–168). Budapest: tranzit.hu.

Duganne, E. D. (2022). “Border Thinking with Borderland Collective.” In Otherwise It Would Be Just Another River: Ten Years of Borderland Collective’s Practice in Dialogue and Collaboration. Leipzig, Germany: Spector Books.

Duganne, E. D., & Satinsky, A. (2022). Art for the Future: Artists Call and Central American Solidarity in the 1980s. Los Angeles, LA: Inventory Press.

Duganne, E. D. (2022). From Monuments to Models: The Counter-Temporality of Artists Call. In Art for the Future: Artists Call and Central American Solidarity in the 1980s, ed. Erina Duganne and Abigail Satinsky. Los Angeles, CA: Inventory Press.

Duganne, E. D. (2021). There was no record of her smile: Muriel Hasbun’s X post facto. In J. Carville & Sigrid Lien (Eds.), Photography, Migration, and Cultural Encounters. Leuven, Belgium: Leuven University Press.

Duganne, E. (2021). Family Folktales: Carrie Mae Weems, Allan Sekula, and the Critique of Documentary Photography. In S. Lewis & C. Garnier (Eds.), Carrie Mae Weems. Cambridge, MA: MIT Press.

Duganne, E. D. (2021). Registers for the Future: Muriel Hasbun’s Pulse. In Muriel Hasbun: Seismic Traces. Center for Women in the Arts and Humanities Rutgers, The State University of New Jersey.

Duganne, E. D. (2021, January). Black on Black: Louis Draper Made His Subjects Visible. Humanities: The Magazine for the National Endowment for the Humanities, 42(1).

Duganne, E. D., Terri Weissman, & Diack, H. (2020). Global Photography: A Critical History. London, England: Routledge.

Duganne, E. D. (2020). In Defense of Solidarity. Latin American & Latinx Visual Culture, 2(2), 99–103. https://doi.org/https://doi.org/10.1525/lavc.2020.220010

Duganne, E. D. (2020). Unlearning Street Photography from the Kamoinge Workshop. In Working Together: Louis Draper and the Kamoinge Workshop, ed. Sarah Eckhardt. Durham, NC: Duke University Press.

Duganne, E. D., & Carvalho, J. (2019). From the Memory Books of Josely Carvalho. In in “Decolonizing Contemporary Latin American Art,” ed. Florencia San Martin and Tatiana Flores (3rd ed., Vol. 8). https://doi.org/10.3390/arts8030109.

Duganne, E. D. (2018, April 30). Review of Gather Out of Star-Dust: A Harlem Renaissance Album by Melissa Barton. caa.reviews. Retrieved from http://www.caareviews.org/reviews/3295

Duganne, E. D. (2018). The Nicaragua Project and the Limits of Postmodernism. Art Bulletin, 100(1), 146–168.

Duganne, E. D., & Diack, H. (2017). Not Just Pictures: Reassessing Critical Models for 1980s Photography. Photographies, 10(3), 235–243. Retrieved from http://www.tandfonline.com/doi/full/10.1080/17540763.2017.1340734

Duganne, E. D., & Diack, H. (2017). Beyond the Pictures Generation: Special Issue on Photography in the 1980s. photographies (3rd ed., Vol. 10). Retrieved from http://www.tandfonline.com/loi/rpho20

Montoya, J. D. L., Tarver, G. M., & Duganne, E. D. (2017). Advertisement Extraction: Interview with Juan David Laserna Montoya. photographies (3rd ed., Vol. 10, pp. 329–345). https://doi.org/10.1080/17540763.2017.1340735

Duganne, E. (2017, January). Photojournalism. In T. Sheehan (Ed.), Grove Art Guide to Photography. New York: Oxford University Press.

Duganne, E. (2016). Activating the Past in Borderland Collective’s Northern Triangle. In Exhibition brochure.

Duganne, E., & Schröder, A. (2016). Becoming Der Indianer: Andrea Robbins and Max Becher’s German Indians. In F. Offizier & M. Priewe (Eds.), Crossroads in American Studies: Transnational and Biocultural Encounters. Heidelberg.

Duganne, E. D. (2015). Review of At the Edge of Sight: Photography and the Unseen by Shawn Michelle Smith. History of Photography.

Duganne, E. (2015). Uneasy Witnesses: Broomberg, Chanarin, and Photojournalism’s Expanded Field. In V. Schwartz & J. Hill (Eds.), Getting the Picture: The History and Visual Culture of the News. London: Bloomsbury Press.

Duganne, E. D. (2014). Photojournalism. In T. Sheehan (Ed.), Oxford Art Online. New York: Oxford University Press. Retrieved from http://www.oxfordartonline.com

Duganne, E. (2014). Photography and Social Change in the Central American Civil Wars. In Blog entry for Oxford University Press. Retrieved from http://blog.oup.com/2014/05/photography-social-change-central-american-civil-wars/

Duganne, E. D. (2014, March 27). Review of Reading Magnum: A Visual Archive of the Modern World, edited by Steven Hoelscher. caa.reviews. Retrieved from http://www.caareviews.org/reviews/2214

Duganne, E. (2013). David Levi Strauss. In M. Durden (Ed.), Fifty Key Writers on Photography. London: Routledge Press.

Duganne, E. D., & Duganne, E. D. (2013, December). [Review of Review of Pictures and Progress, edited by Maurice O. Wallace and Shawn Michelle Smith]. Visual Resources.

Duganne, E. (2013). The Photographic Legacy of Lyndon Baines Johnson. Photography & Culture, 6, 305–326.

Duganne, E. (2013). Building Global Solidarity Through ¡Luchar! In Blog entry for In the Darkroom. Retrieved from http://inthedarkroom.org/coldwarcamera/building-global-solidarity-through-luchar

Duganne, E. (2013). War/Photography: Images of Armed Conflict and its Aftermath. caa.reviews. Retrieved from http://www.caareviews.org/reviews/2047

Duganne, E. D., & Duganne, E. D. (2012, October). Review of Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle by Leigh Raiford. African American Review.

Duganne, E. (2012). An Ambrotype and a Carte-de-Visite: Black Civil War Portraiture in Context. The Mirror of Race, 5. Retrieved from http://mirrorofrace.org/wp/blackcivilwar/

Duganne, E. (2011). The Kamoinge Workshop in Context: An Interview with Louis Draper, Albert Fennar, Beuford Smith. exposure (The Journal of the Society of Photographic Education) (Vol. 44, pp. 4–11).

Duganne, E. (2011). [Review of Mathew Brady to Frederic E. Church, by B. Ruggiero]. In C- Frederic Church in Color After Mathew Brady Studio.

Duganne, E., & DiMeo Carlozzi, A. (2011). Jack S. Blanton Museum of Art. American Art Review, 13, 118–125.

Duganne, E. (2011). Family Folktales: Carrie Mae Weems, Allan Sekula, and the Critique of Documentary Photography. English Language Notes (The Shape of I: A Double Issue), 49, 41–52.

Duganne, E. D., & Duganne, E. D. (2011, April). [Review of Review of American Modern: Documentary Photography by Abbott, Evans, and Bourke-White by Sharon Corwin, Jessica May, and Terri Weissman (Editors)]. AHAA.reviews. Retrieved from http://www.ahaaonline.org/

Duganne, E. (2010). The Self in Black and White: Race and Subjectivity in Postwar American Photography. Hanover, NH: Dartmouth College Press in association with University Press of New England.

Duganne, E. (2008). Randall Reid: The Artist as Worker. (M. Hays & R. Reid, Eds.), Recontextualized: Ordered Layers. Austin, TX: Michelle Hays, Hays Design Studio.

Reinhardt, M., Edwards, H., & Duganne, E. (2007). Beautiful Suffering: Photography and the Traffic in Pain. Chicago: University of Chicago Press and Williamstown: Williams College Museum of Art.

Duganne, E. (2007). Photography after the Fact. In M. Reinhardt, H. Edwards, & E. Duganne (Eds.), Beautiful Suffering: Photography and the Traffic in Pain. Chicago: University of Chicago Press and Williamstown: Williams College Museum of Art.

Duganne, E., & Stanczak, G. (2007). The Failure of the President’s Choice. In Visual Research Methods: Image, Society, and Representation. Thousand Oaks, CA: Sage Publications.

Duganne, E. (2007). Heather Carter: Sustainability Through Art. Retrieved from http://heathercarter.info/main/Articles_and_Reviews.html

Duganne, E. (2006). Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a “Black Aesthetic” in Photography. In L. G. Collins & M. Crawford (Eds.), New Thoughts on the Black Arts Movement. New Brunswick, N.J: Rutgers University Press.

Duganne, E., Carlozzi, A. D., & Baum, K. (2006). Romare Bearden, Stuart Davis, Norman Lewis, and Larry Rivers. In Blanton Museum of Art: American Art since 1900.

Duganne, E., & Warren, L. (2005). Bruce Davidson and John Szarkowski. In Encyclopedia of Twentieth Century Photography. New York: Routledge Press.

Duganne, E. (2003). From Institutions to Individuals.